In Private Topographies, Grzegorczyk identifies and analyzes the types of postcolonial subjectivity prevalent among the Creole (Euro-American) ruling classes in post-independence, nineteenth-century century Latin America as articulated through their relation to their surroundings. Exactly how did creole elites change their self-conception in the wake of independence? In what ways and why did they feel compelled to restructure their personal space? What contradictions did they respond to? Where and how were the boundaries between public and private constructed? How were the categories of race and gender relevant to this process? For the first time, this book links together political transitions (the end of the colonial period in Latin America) with "implacements" - attempts that people make to reorganize the space around them. By looking at cartographies of states and regions, the structure of towns, and appearance and lay-out of homes in literature from Mexico, Argentina and Brazil from this nineteenth century period of transition, Grzegorczyk sheds new light on the ways a culture remakes itself and the mechanisms through which subjectivities shift during periods of political change.

America’s national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them. From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

The post-Darwinian theory of atavism forecasted obstacles to human progress in the reappearance of throwback physical or cultural traits after several generations of absence. In this original and stimulating work, Dana Seitler explores the ways in which modernity itself is an atavism, shaping a historical and theoretical account of its dramatic rise and impact on Western culture and imagination.

This book proposes a fundamental relationship between exile and mapping. It seeks to understand the cartographic imperative inherent in the exilic condition, the exilic impulses fundamental to mapping, and the varied forms of description proper to both. The vital intimacy of the relationship between exile and mapping compels a new spatial literacy that requires the cultivation of localized, dynamic reading practices attuned to the complexities of understanding space as text and texts as spatial artifacts. The collection asks: what kinds of maps do exiles make? How are they conceived, drawn, read? Are they private maps or can they be shaped collectively? What is their relationship to memory and history? How do maps provide for new ways of imagining the fractured experience of exile and offer up both new strategies for reading displacement and new displaced reading strategies? Where does exilic mapping fit into a history of cartography, particularly within the twentieth-century spatial turn? The original work that makes up this interdisciplinary collection presents a varied look at cartographic strategies employed in writing, art, and film from the pre-Contact Americas to the Renaissance to late postmodernism; the effects of exile, in its many manifestations, on cartographic textual systems, ways of seeing, and forms of reading; the challenges of traversing and mapping unstable landscapes and restrictive social and political networks; and the felicities and difficulties of both giving into the map and attempting to escape the map that provides for exile in the first place. Cartographies of Exile will be of interest to students and scholars working in literary and cultural studies; gender, sexuality, and race studies; anthropology; art history and architecture; film, performance, visual studies; and the fine arts.

Papers from a conference held Jan. 2003 at the University of Sheffield.

The purpose of this book is to analyse how marginality is experienced by ́the Other ́ (women, orphans, children, labourers) in Victorian literature and how these individuals succeed in transgressing borders or attempt at doing this. The Other uses many strategies to climb the social ladder and to preserve a certain social position: marrying into a superior social class, subverting the master ́s position and usurping him, acquiring education and knowledge to become superior, tempting the master into passionate love affairs, approaching interpersonal communication, or staying true to one ́s own self, defending ones moral values, accepting lessons of domesticity, becoming an ́angel in the house ́, travelling to unknown territories, exchanging reality for fictional worlds, and so on. On their way of achieving their goals, the Others are shown in different spaces which contribute to the construction of their identity. Our survey unfolds the complexity of the marginalization experience of the Victorian Others, their individual or collective mentality and their agency. Drawing on Otherness from six Victorian novels, our book takes an interpretative approach. The analysis of spaces revealed how the positionality of women or orphans or labourers in social hierarchies of gender, race and legal status influences and even affects their legitimacy or access to a superior position. Their agency has not always overcome their marginalization embedded within the structure of society, but at least temporarily and gradually it has improved the women ́s living conditions by being rewarded with a beautiful family or by earning a living thus eluding the dependency on a man. By contextualizing the six novels into the Victorian Age, our survey will hopefully contribute to the understanding of women and of their attempts at emancipation by demonstrating how their positionality impacts their agency and their personality.

Throughout history, numerous scholars and intellectuals have tried to define Confucianism one way or another. Despite their efforts, the voices of those who claim to have found the essence of Confucianism are as much at odds as ever. A Topography of Confucian Discourse analyzes Confucian discussion in diverse historical settings, examining how Confucianism has served the different purposes of biased interpreters and how they have manipulated Confucian discourse. To explore their hidden desires, Lee Seung-hwan critically observes various historical contexts in which people interpreted Confucianism: in the heyday of the Jesuit Missionaries, the eighteenth-century Enlightenment, the period of Western Imperialism, late twentieth-century postmodern America, Tokugawa Japan, Choson Korea, China, Taiwan, South Korea, as well as Singapore. The author successfully historicizes Confucian discourse, explaining why, against a certain political background, a certain view on Confucianism has to arise. ABOUT THE AUTHOR Lee Seung-hwan received his PhD from the University of Hawaii. A professor of philosophy at Korea University, Lee has authored several books including The Sociopolitical Re-illumination of Confucian Thought and The Exchange of E-Mail between the West and the East for 127 Days. Lee has been known as a progressive philosopher of Chinese philosophy and has dealt with the inherent conflicts in liberal political thought. ABOUT THE TRANSLATOR Jaeyoon Song is a PhD candidate at Harvard University and is interested in Chinese intellectual history and philosophy. He is currently working on Song discourse on government, especially the rise of a proto-constitutional debate in Southern Song China.