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Ten years ago, Ingmar Bergman traded in the technological tools of filmmaking for the simpler devices of prose. Yet the cinematic lens still seems to reside between his thoughts and his words. Private Confessions continues Bergman's autobiographical project, which he began in two earlier novels and two volumes of memoirs. In the spare words of blocking and camera angles, this slim novel stages a story of adultery through which we see Bergman's attempts to understand his parents' troubled relationship. Through a series of revelatory confessions, Anna tells of her affair with her husband's young friend Tomas and her unhappiness with her life as wife of a dour country pastor. Bergman nails scenes in taut prose and stunning bursts of dialogue, but the overall story is unrelenting, with little to hold as beautiful, save the starkness of Bergman's expression and the deep probing of his own creative psyche.

Published anonymously in 1824, this gothic mystery novel was written by Scottish author James Hogg. The Private Memoirs and Confessions of a Justified Sinner was published as if it were the presentation of a century-old document. The unnamed editor offers the reader a long introduction before presenting the document written by the sinner himself.

In the sequel to the #1 New York Times bestseller Confessions of a Murder Suspect, James Patterson keeps the confessions coming breathlessly as Tandy Angel delves deeper into her own dark history. Wealthy young women are being murdered on Manhattan's exclusive Upper West Side, and the police aren't looking for answers in the right places. Enter Tandy Angel. The first case she cracked was the mystery of her parents' deaths. Now, while she's working to exonerate her brother of his glamorous girlfriend's homicide, she's driven to get involved in the West Side murder spree. One of the recent victims was a student at Tandy's own elite school. She has a hunch it may be the work of a serial killer, but the NYPD isn't listening to her . . . and Tandy can't ignore the disturbing fact that she perfectly fits the profile of the killer's targets. Can she untangle the mysteries in time? Or will she be the next victim?!--EndFragment--

James Patterson returns to the genre that made him famous with a #1 New York Times bestselling teen detective novel about the mysterious Angel family . . . and the dark secrets they're keeping from one another. On the night Malcolm and Maud Angel are murdered, Tandy Angel knows just three things: 1) She was the last person to see her parents alive. 2) The police have no suspects besides Tandy and her three siblings. 3) She can't trust anyone-maybe not even herself. As Tandy sets out to clear the family name, she begins to recall flashes of experiences long buried in her vulnerable psyche. These memories shed light on her family's dark secrets, and digging deeper into her powerful parents' affairs proves to be a disturbing and dangerous game. Who knows what any of the Angels are truly capable of?

In this original, extraordinarily moving, and highly personal novel, world-renowned stage and film director Ingmar Bergman goes back to the time of his parents and grandparents, to the years shortly before, during, and just after World War I. Set in the decade beginning in 1908, The Best Intentions is, ultimately, a love story on many different levels: a man and woman in love; parents and children; and love as miracle, that love which is overriding and, so often, inexplicable. Bergman was inspired to write this loosely biographical novel when he began rummaging through the voluminous family picture albums. That, plus family letters and records, and his own memories and unique imagination, helped him recreate this lost world in evocative and graphic detail. Henrik is a poor divinity student. Anna is the much loved but slightly pampered daughter of bourgeois parents. They fall in love and, after a long and tortuous courtship, marry, despite the objections of Anna's parents - especially of Anna's mother, Karin. Karin uses everything in her power, including deceit, first to prevent the marriage, then to break it up. Yet, even her basest actions are never monstrous but filled with good intentions. In fact, all the characters act with the "best intentions", however wrongheaded their behavior. "That Bergman can extend sympathy to such behavior is a great and generous gesture, one that allows him to create characters of astonishing depth", wrote Caryn James in the New York Times. Incorporating some of the elements of stage and screen, including filmic dialogues and personal "asides", which he weaves artfully into the narrative flow, Bergman has written a novel of great beauty and uncompromisinghonesty, a work filled with joy and sadness, sacrifice and reconciliation - and above all, abiding love.

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