Lucy Gladwell arrives in Mauritius from England to live with her aunt and uncle at their grand plantation house. Under the surface of this beautiful island paradise, poised between India and Africa, there is unease, and Lucy cannot help but feel discomfited by the restrictions she sees around her, and by the strangely attractive Don Lambodar, a young translator from Ceylon. It is 1825: the age of slavery is coming to its messy end, and word is lapping against the shores of the island of a charismatic new Indian leader who will shine the light of liberty. For Lucy, for Don, for everyone on the island, a devastating storm is coming...

No other piece of ancient Near Eastern literature that has survived the ravages of time compares favorably with the book of Genesis. Its theological perspectives and historical profiles of early man are unique. It is important not because it is old­other collections antedate it by many years-but because it completely transcends the primitive mythology of the ancient world. Reading and studying Genesis are not burdensome tasks. Its themes are varied and its personal portraits unparalleled. It immediately tackles on of man's most basic questions: What is the origin of all things? Its answer is as credible as it is captivating. From the origin of man the writer shifts attention to the fall of man and the human dilemma. The problem of evil is rarely discussed in such a manner by other ancient writers. From this point the writer concentrates on the spiritual, moral, and practical consequences of sin. Great catastrophes, such as the flood and the confusion of tongues at Babel, demonstrate God's response to human rebellion. Where in the annals of history can we find more imaginative and frank portraits than those of Abraham and his descendants? Abraham's moments of great triumph and ecstasy are not reported to the exclusion of his hours of humility and disgrace; this balanced description is quite distinct from the idealism of ancient Near Eastern historiography. The detailed descriptions of Abraham's failures, therefore, constitute a remarkable proof for the inspiration of this book. The sensitive reader cannot help but be struck by this book's great contrasting emphases: on one hand majestic, cosmological truth; on the other hand personal, intimate, and individualistic narratives of a man, a wife, and their family. While theological abstractions are common, they do not exclude personal warmth and historical objectivity. There are also great contrasts between personalities; the most significant is between God and Satan, and based on this contrast is the one between good and evil and their practical effects. The book of Genesis, therefore, is of utmost value to the scientist, the historian, and the theologian: to the scientist for its cosmology, to the historian for its early history of Israel, and to the theologian for its basic philosophical implications. But one must approach the book properly; only then can one hope to understand it, not to mention the rest of the Bible and Jesus Himself . Jesus told his hostile contemporaries that "had ye believed Moses, ye would have believed me: for he wrote of me. But if ye believe not his writings, how shall ye believe my words?" (John 5:46,47)

After escaping the ruthless Lector, Zax Delatree has a new enemy to fight in the sequel to Doors of Sleep. Every time Zaxony Delatree falls asleep he wakes up on a new world. His life has turned into an endless series of brief encounters. But at least he and Minna, the one companion who has found a way of travelling with him, are no longer pursued by the psychotic and vengeful Lector. But now Zax has been joined once again by Ana, a companion he thought left behind long ago. Ana is one of the Sleepers, a group of fellow travellers between worlds. Ana tells Zax that he is unknowingly host to a parasitic alien that exists partly in his blood and partly between dimensions. The chemical that the alien secretes is what allows Zax to travel. Every time he does, however, the parasite grows, damaging the fabric of the Universes. Anas is desperate to recruit Zax to her cause and stop the alien. But there are others who are using the parasite, such as the cult who serve the Prisoner – an entity trapped in the dimension between universes. Every world is like a bar in its prison. The cult want to collapse all the bars of the worlds and free their god. Can Zax, Minna, Ana and the other Sleepers band together and stop them? File Under: Science Fiction [ Countless Worlds | Memory Mosaicers | Unfathomable Evil | Falling Awake ]

An eye-opening account of the politics and realities of prison life. A drug-abusing veteran of the Vietnam War, the late Joseph Dillon, imprisoned on a charge of robbery, attempted to turn his incarceration to his advantage by writing. His posthumously published memoir is a clarion call for American society and the social justice system to reevaluate and solve the problems running rampant in today's jails.

In Running to Paradise, M.L. Rosenthal, hailed by the Times Literary Supplement as "one of the most important critics of twentieth-century poetry," leads us through the lyric poetry and poetic drama of our century's greatest poet in English. His readings shed new, vivid light on Yeats's daring uses of tradition, his love poetry, and the way he faced the often tragic realities of revolution and civil war. Running to Paradise describes Yeats's whole effort--sometimes leavened by wild humor--to convey, with high poetic integrity, his passionate sense of his own life and of his chaotic era. Himself a noted poet, Rosenthal stresses Yeats's artistry and psychological candor. The book ranges from his early exquisite lyrical poems and folklore-rooted plays, through the tougher-minded, more confessional mature work (including the sublime achievement of The Tower), and then to the sometimes "mad" yet often brilliant tragic or comic writing of his last years. Quoting extensively from Yeats, Rosenthal charts the gathering force with which the poet confronted his major life-issues: his art's demands, his persistent but hopeless love for one woman, the complexities of marriage to another woman at age 52, and his distress during Ireland's "Troubles." Yeats's deep absorption in female sensibility, in the cycles of history and human thought, and in supernaturalism and "the dead" comes strongly into play as well.