Introduction: on being Osman -- Discovering Osman: a short history of the text -- A note on translation -- A note on transcription from Ottoman Turkish -- Surrender -- Ransom -- Crime and punishment -- Death and resurrection -- Respite -- Bonds of love -- To the capital -- A friend in need -- An unexpected turn of events -- Trouble on the Danube -- Grifters -- Border run -- The end -- Appendix: main characters in Osman's narrative.

Here is the first panoptic history of the long struggle between the Christian West and Islam. In this dazzlingly written, acutely nuanced account, Andrew Wheatcroft tracks a deep fault line of animosity between civilizations. He begins with a stunning account of the Battle of Lepanto in 1571, then turns to the main zones of conflict: Spain, from which the descendants of the Moors were eventually expelled; the Middle East, where Crusaders and Muslims clashed for years; and the Balkans, where distant memories spurred atrocities even into the twentieth century. Throughout, Wheatcroft delves beneath stereotypes, looking incisively at how images, ideas, language, and technology (from the printing press to the Internet), as well as politics, religion, and conquest, have allowed each side to demonize the other, revive old grievances, and fuel across centuries a seemingly unquenchable enmity. Finally, Wheatcroft tells how this fraught history led to our present maelstrom. We cannot, he argues, come to terms with today’s perplexing animosities without confronting this dark past.

Maryam Rostampour and Marziyeh Amirizadeh knew they were putting their lives on the line. Islamic laws in Iran forbade them from sharing their Christian beliefs, but in three years, they’d covertly put New Testaments into the hands of twenty thousand of their countrymen and started two secret house churches. In 2009, they were finally arrested and held in the notorious Evin Prison in Tehran, a place where inmates are routinely tortured and executions are commonplace. In the face of ruthless interrogations, persecution, and a death sentence, Maryam and Marziyeh chose to take the radical—and dangerous—step of sharing their faith inside the very walls of the government stronghold that was meant to silence them. In Captive in Iran, two courageous Iranian women recount how God used their 259 days in Evin Prison to shine His light into one of the world’s darkest places, giving hope to those who had lost everything and showing love to those in despair.

Victor Hugo meets Papillon in this effervescent memoir of war, slavery, and self-discovery, told with aplomb and humor in its first English translation. A pioneering work of Ottoman Turkish literature, Prisoner of the Infidels brings the seventeenth-century memoir of Osman Agha of Timişoara—slave, adventurer, and diplomat—into English for the first time. The sweeping story of Osman’s life begins upon his capture and subsequent enslavement during the Ottoman–Habsburg Wars. Adrift in a landscape far from his home and traded from one master to another, Osman tells a tale of indignation and betrayal but also of wonder and resilience, punctuated with queer trysts, back-alley knife fights, and elaborate ruses to regain his freedom. Throughout his adventures, Osman is forced to come to terms with his personhood and sense of belonging: What does it mean to be alone in a foreign realm and treated as subhuman chattel, yet surrounded by those who see him as an object of exotic desire or even genuine affection? Through his eyes, we are treated to an intimate view of seventeenth-century Europe from the singular perspective of an insider/outsider, who by the end his account can no longer reckon the boundary between Islam and Christendom, between the land of his capture and the land of his birth, or even between slavery and redemption.

In this profoundly affecting memoir from the internationally renowned author of The Caged Virgin, Ayaan Hirsi Ali tells her astonishing life story, from her traditional Muslim childhood in Somalia, Saudi Arabia, and Kenya, to her intellectual awakening and activism in the Netherlands, and her current life under armed guard in the West. One of today's most admired and controversial political figures, Ayaan Hirsi Ali burst into international headlines following an Islamist's murder of her colleague, Theo van Gogh, with whom she made the movie Submission. Infidel is the eagerly awaited story of the coming of age of this elegant, distinguished -- and sometimes reviled -- political superstar and champion of free speech. With a gimlet eye and measured, often ironic, voice, Hirsi Ali recounts the evolution of her beliefs, her ironclad will, and her extraordinary resolve to fight injustice done in the name of religion. Raised in a strict Muslim family and extended clan, Hirsi Ali survived civil war, female mutilation, brutal beatings, adolescence as a devout believer during the rise of the Muslim Brotherhood, and life in four troubled, unstable countries largely ruled by despots. In her early twenties, she escaped from a forced marriage and sought asylum in the Netherlands, where she earned a college degree in political science, tried to help her tragically depressed sister adjust to the West, and fought for the rights of Muslim immigrant women and the reform of Islam as a member of Parliament. Even though she is under constant threat -- demonized by reactionary Islamists and politicians, disowned by her father, and expelled from her family and clan -- she refuses to be silenced. Ultimately a celebration of triumph over adversity, Hirsi Ali's story tells how a bright little girl evolved out of dutiful obedience to become an outspoken, pioneering freedom fighter. As Western governments struggle to balance democratic ideals with religious pressures, no story could be timelier or more significant.

An innovative study which explores how the presence of Muslim communities transformed Europe and stimulated Christian society to define itself.

This book contains the whole text of an Inquisition trial of a Morisco (converted Muslim) of Toledo, Spain, condemned to burn at the stake. It is preceded by an introduction which studies the trial and shows the multifaceted aspects of the text and its protagonists.