Takes the reader inside the walls of a medium-security prison and offers a glimpse at how music and the arts are offering second chances to the incarcerated. In a place often defined by trauma and control, a performing chorus composed of inmates and volunteers creates a community where healing, atonement and growth can occur.

From the renowned Chinese poet in exile comes a gorgeous and shocking account of his years in prison following the Tiananmen Square protests.

Prison Song VDo not bend your head down,Do not mind my heart, damn it;Your crying would not have been heard,Do not mind my heart, damn it...Crazy waves are outsideCome and lick the walls off;Those sounds mess you around,Do not mind my heart, damn it...Even you do not see the sea,Turn your eyes to the sky up:The sky is like the sea;Do not mind my heart, damn it...

Inside the Texas State Prison is a surprising story of ingenuity, optimism and musical creativity. During the mid-twentieth century, inmates at the Huntsville unit and neighboring Goree State Farm for Women captured hearts all over Texas during weekly radio broadcasts and live stage performances. WBAP s Thirty Minutes Behind the Walls took listeners inside the penitentiary to hear not only the prisoners? songs but also the stories of those who sang them. Captivating and charismatic, banjo player Reable Childs received thousands of fan letters with the Goree All-Girl String Band during World War II. Hattie Ellis, a young black inmate with a voice that rivaled Billie Holiday s, was immortalized by notable folklorist John Avery Lomax. Cowboys, songsters and champion fiddlers all played a part in one of the most unique prison histories in the nation. Caroline Gnagy presents the decades-long story of the Texas convict bands, informed by prison records, radio show transcripts and the words and music of the inmates themselves."

Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.