"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--

Printmakers today are sustained both by their traditions and by their willingness to embrace new technologies, new mediums, and innovative processes. Over 500 beautiful colour images display the innovative work of 75 talented printmakers and 30 print shops. Traditional printing techniques featured include lithography, intaglio, screen print, and relief, while newer techniques include installation, digital, and fibre, among other forms of new print media. The artists speak for themselves, revealing why they create their art. Consequently, the readers will gain a deeper understanding of their world. These assembled prints reflect the talent of this time and in this place. The artists' mediums, patterns, images, and environments also capture our culture and attempt to foretell our future. This book will be a treasured resource for anyone who appreciates the printmaker's art.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

Discusses the significance and history of printmaking and evaluates 700 prints.

Published to accompany an exhibition held at the Harvard Art Museums, Sept. 6-Dec. 10, 2011, and the Block Museum of Art, Jan. 17-Apr. 8, 2012.

A concise and beautifully illustrated introduction to printmaking that uses highlights from Tate's extensive print collection Prints have played a unique and important role in the history of art and image. This engaging book explores the numerous ways artists have embraced printmaking over the course of three centuries. Each of the works illustrated has been selected to reflect the broad spectrum of techniques and purposes, which are explained in clear and concise terms. The featured artworks are among the highlights of Tate's extensive but little-known print collection, a remarkable grouping no book has previously attempted to survey. Among the leading artists for whom printmaking has been an important and experimental part of their practice are William Hogarth, George Stubbs, William Blake, J.M.W. Turner, Pablo Picasso, Barbara Hepworth, Andy Warhol, Lucian Freud, Bridget Riley, Paula Rego, William Kentridge, and Kara Walker. Yet printmaking remains somewhat mysterious as a topic, perhaps because original prints are often understood as "reproductions," or wrongly given a similar status to preparatory sketches and archival material. In fact, prints are finished artworks, often the result of highly considered creative experimentation with print processes. Chapters are structured around different types of printmaking, allowing each section to reveal the various ways artists have engaged with the different techniques. In addition to complete reproductions of more than 120 works, carefully selected details enable the reader to examine closely some of the remarkable visual effects seen in the prints.

LEO the Maker Prince teaches children (both young and old) about 3D printing by following Carla and LEO's journey through Brooklyn. LEO is a walking, talking robot who has the magical ability to to print (in plastic) any object that Carla draws. The other robots have their own special capabilities: H1-H0 prints in metal, Sinclair-10 can find and print objects from a huge catalog of designs, and the others (including AL1C3-D, IRIS-7, and NiXie) have unique talents, too. Readers can come along for the journey, too: all of the objects in the book are printable one way or another.