In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders – highwaymen, housebreakers, murderers, pickpockets and the like – than ever before or since. Print Culture, Crime and Justice in 18th-Century London provides the first detailed study of crime reporting across this range of publications to explore the influence of print upon contemporary perceptions of crime and upon the making of the law and its administration in the metropolis. This historical perspective helps us to rethink the relationship between media, the public sphere and criminal justice policy in the present.

In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders – highwaymen, housebreakers, murderers, pickpockets and the like – than ever before or since. Print Culture, Crime and Justice in 18th-Century London provides the first detailed study of crime reporting across this range of publications to explore the influence of print upon contemporary perceptions of crime and upon the making of the law and its administration in the metropolis. This historical perspective helps us to rethink the relationship between media, the public sphere and criminal justice policy in the present.

McLynn provides the first comprehensive view of crime and its consequences in the eighteenth century: why was England notorious for violence? Why did the death penalty prove no deterrent? Was it a crude means of redistributing wealth?

Devilry, Deviance, and Public Sphere draws on criminology and social theory to explore and expand social historical themes in the analysis of perceptions of deviance and crime in the eighteenth century. Developing the theoretical device of Folk Devils and Moral Panics, instigated by Stanley Cohen and developed by Erich Goode and Nachman Ben-Yehuda, the book explores the social discovery of, and public response to, crime and deviance in that period. Detailed contemporary case studies of youth violence, sexual deviance, and substance abuse are used to argue that Hanoverian London and its novel media can be identified as the initiating historical site for what might now be termed public order moral panics. In doing so, Hamerton provides a vivid historical lineage of moral panic which traverses much of the long eighteenth century. The book considers social change, allowing for points of theoretical convergence and divergence to be observed, whilst exploring historical models of public opinion, media, deviance and crime alongside the unique character and power located within the burgeoning Metropolis. Devilry, Deviance, and Public Sphere seeks to make an important contribution to the understanding of both moral panic theory and the historiography of crime and deviance, and posits that the current discourse on folk devils and moral panics can be extended and enriched via the exploration of the moral crises of earlier centuries.

This book applies three overlapping bodies of work to generate fresh approaches to the study of criminal justice in England and Ireland between 1660 and 1850. First, crime and justice are interpreted as elements of the "public sphere" of opinion about government. Second, "performativity" and speech act theory are considered in the context of the Anglo-Irish criminal trial, which was transformed over the course of this period from an unmediated exchange between victim and accused to a fully lawyerized performance. Thirdly, the authors apply recent scholarship on the history of emotions, particularly relating to the constitution of "emotional communities" and changes in "emotional regimes".

This study examines the considerable changes that took place in the criminal justice system in the City of London in the century after the Restoration, well before the inauguration of the so-called 'age of reform'. The policing institutions of the City were transformed in response to the problems created by the rapid expansion of the metropolis during the early modern period, and as a consequence of the emergence of a polite urban culture. At the same time, the City authorities were instrumental in the establishment of new forms of punishment - particularly transportation to the American colonies and confinement at hard labour - that for the first time made secondary sanctions available to the English courts for convicted felons and diminished the reliance on the terror created by capital punishment. The book investigates why in the century after 1660 the elements of an alternative means of dealing with crime in urban society were emerging in policing, in the practices and procedures of prosecution, and in the establishment of new forms of punishment.