Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.

Introduces readers to the history of books in Britain—their significance, influence, and current and future status Presented as a comprehensive, up-to-date narrative, The Book in Britain: A Historical Introduction explores the impact of books, manuscripts, and other kinds of material texts on the cultures and societies of the British Isles. The text clearly explains the technicalities of printing and publishing and discusses the formal elements of books and manuscripts, which are necessary to facilitate an understanding of that impact. This collaboratively authored narrative history combines the knowledge and expertise of five scholars who seek to answer questions such as: How does the material form of a text affect its meaning? How do books shape political and religious movements? How have the economics of the book trade and copyright shaped the literary canon? Who has been included in and excluded from the world of books, and why? The Book in Britain: A Historical Introduction will appeal to all scholars, students, and historians interested in the written word and its continued production and presentation.

This concise study covers the development of education throughout Great Britain from the Industrial Revolution to the Great War: a period in which urbanization, industrialization and population growth posed huge social and political problems, and education became one of the fiercest areas of conflict in society.

This book takes a new look at the evolution of popular literature in Britain in the Romantic and Victorian periods. Making use of a wide range of archival and primary sources, he argues that radical politics played a decisive role in the transformation of popular literature. By charting the key moments in the history of 'cheap' literature, the book casts new light on the many neglected popular genres and texts: the 'pig's meat' anthology, the female-authored didactic tale, and Chartist fiction.

First published in 1999, the world of Christian radicalism in the first half of the nineteenth century is reconstructed here with thorough research by Eileen Groth Lyon. Christian radicals, during this period, sought to incite political action through the use of Scripture, using such themes as the rights of man as founded in God’s gift of creation, the deliverance of oppressed peoples, and the perceived favour towards the poor shown in the Gospels. The author tracks the origin and fate of the movement for the first time, from its beginnings in the eighteenth century, through its implementation in the major politic agitations of the early and mid-nineteenth century, to its fruition in the achievements of the campaigns for parliamentary, factory and poor law reform. By focusing on the Christian radical programme, Politicians in the Pulpit advances a new understanding of the most important political initiatives of early Victorian Britain.

Lost Voices of Modernity uncovers the story of the most popular and perhaps the most maligned modern Chinese literary journal, Xiaoshuo yuebao (The Short Story Magazine). First published in Shanghai in 1910, Xiaoshuo yuebao boasted a circulation of ten thousand within its first three years of publication. Scholars have long characterized the journal as little more than superficial popular entertainment (primarily action/adventure and love stories) and attributed its early popularity to an urban audience's need for distraction and escape. Now, however, Denise Gimpel's persuasive and effective study reveals a journal of serious appearance and intent. By placing publication, contributions, and contributors within their specific cultural, social, and political contexts, Gimpel provides an astonishingly cogent picture of a reform-through-fiction project created and managed by a dedicated body of writers attempting to address the concerns of the day. Xiaoshuo yuebao informed the growing reading public of national and international issues, science, and foreign lands. Read in context, the stories, essays, plays, and poems published in its pages--largely in the form of the "new fiction" that had been hailed as the sociopolitical cure-all of the early twentieth century--constitute a panorama of the reforms being discussed at the time at all levels of public and private life.

Draws on previously unexplored visual and ephemeral sources to re-evaluate the British city, its changing form, representation and impact.