Once they crossed over, it was ugly and frustrating. It didn't matter. His golden fingers were rather thick as he brought the Treasure Seeking Mouse to dig up spirit plants and lift up various fields of men? Oh No! Impossible. He took the high-end, high-end, high-class route, beating the crap out of people, turning against the rich and beautiful, and taking the prince with him to cultivate to become an immortal.

Gu Qishao was dressed as an unpopular Princess Wu Cheng. Opening his eyes to take a look, what? Something happened? Her husband was still on his way back to strangle her? F * ck, can he just sit there and wait for death? He had to run! However, Gu Qishao had underestimated the determination of Prince Wu Cheng, Xiao Lie, to take care of her ... Run? Capture them back! Run again? Capture it back! You still dare to run? I will accompany you. The rivers and lakes are dangerous, all kinds of men are impossible to guard against! Meowed... The cruel and violent, the cold and dark... What do you mean by acting stupid?

“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.