A rogue, a megalomaniac, a plodder, and a depressive: the men whose previously unpublished diaries are collected in this volume were four very different characters. But they had much in common too. All were from the Deep South. All were young, between seventeen and twenty-five. All had a connection to cotton and slaves. Most obviously, all were diarists, enduring night upon night of cramped hands and candle bugs to write out their lives. Down the furrows of their fathers' farms, through the thickets of their local woods, past the familiar haunts of their youth, Harry Dixon, Henry Hughes, John Coleman, and Henry Craft arrive at manhood via journeys they narrate themselves. All would be swept into the Confederate Army, and one would die in its service. But if their manhood was tested in the war, it was formed in the years before, when they emerged from their swimming holes, sopping with boyhood, determined to become princes among men. Few books exist about the inner lives of southern males, especially those in adolescence and early adulthood. Princes of Cotton begins to remedy this shortage. These diaries, along with Stephen Berry's introduction, address some of the central questions in the study of southern manhood: how masculine ideals in the Old South were constructed and maintained; how males of different ages and regions resisted, modified, or flouted those ideals; how those ideals could be expressed differently in public and private; and how the Civil War provoked a seismic shift in southern masculinity.

“A heart-wrenching, beautiful, darkly comic, deeply necessary tale that stuns again and again with razor-sharp prose and glittering wit. Robert Goolrick is, without question, one of the greatest storytellers of our time.” —Téa Obreht, author of The Tiger’s Wife In the spellbinding new novel from #1 New York Times bestselling author Robert Goolrick, 1980s Manhattan shimmers like the mirage it was, as money, power, and invincibility seduce a group of young Wall Street turks. Together they reach the pinnacle, achieving the kind of wealth that grants them access to anything--and anyone. Until, one by one, they fall. Goolrick’s literary chops are on full display, painting an authentic portrait of a hedonistic era, tense and stylish, perfectly mixing adrenaline and melancholy. Stunning in its acute observations about great wealth and its absence, and deeply moving in its depiction of the ways in which these men learn to cope with both extremes, it’s a true tour de force. “An addictive slice of semiautobiographical fiction . . . Goolrick vividly plumbs the depths of fortune and regret. The result is a compulsively readable examination of the highs and lows of life in the big city.” —Publishers Weekly “A compelling, wholly seductive narrative voice . . . Goolrick’s stellar prose infuses this redemption story with a good deal of depth and despair, making it read like the literary version of The Wolf of Wall Street.” —Booklist “A dark, intoxicating morality tale . . . With his impeccable prose, Goolrick focuses his unflinching eye on the grittiness beneath the sleek facade of nightclubs, fashion, and monied Manhattan extravagance. Beautifully crafted, seductive, and provocative.” —Garth Stein, author of A Sudden Light and The Art of Racing in the Rain

In the immediate aftermath of the Civil War, the North assumed significant power to redefine the South, imagining a region rebuilt and modeled on northern society. The white South actively resisted these efforts, battling the legal strictures of Reconstruction on the ground. Meanwhile, white southern storytellers worked to recast the South's image, romanticizing the Lost Cause and heralding the birth of a New South. Prince argues that this cultural production was as important as political competition and economic striving in turning the South and the nation away from the egalitarian promises of Reconstruction and toward Jim Crow.

An angsty college mafia romance from USA Today and Wall Street Journal bestselling author of the Rixon Raiders series. Arianne Capizola is her father's daughter. Humble. Hardworking. Honest. She'd rather spend her days helping at the local shelter than brushing shoulders with her vain and entitled classmates. Niccolò Marchetti is his father's son. Dark. Dangerous. Deceitful. He'd rather spend his days getting bloody in the ring than attending class and keeping up pretences. When their paths cross at Montague University neither of them are willing to drop the walls they've spent so long building. But he can't resist the girl with stars in her eyes, and she can't forget the guy who saved her that night. There's only one catch. Nicco isn't Arianne's knight-in-shining-armor, he's the son of her father's greatest enemy. He is the enemy. And their families are at war. *Prince of Hearts in the first book in Nicco and Ari's duet. Due to mature content that some readers may find distressing, this book is recommended for readers 18+

Dear Reader, I'm so proud to introduce Gaelen Foley, a captivating new writer who will sweep you away with this unforgettable story of forbidden love and wondrous destiny. Darius Santiago is the King's most trusted man, a master spy and assassin. He is handsome, charming, ruthless, and he has one weakness--the stunning Princess Serafina. She is all he has ever wanted and everything he cannot have. Serafina has worshipped Darius from afar her whole life, knowing that deep in the reaches of her soul, where she is not royalty but a flesh and blood woman, she belongs to this dangerous, untouchable man. Unable to suppress their desire any longer, they are swept into a daring dance of passion destined to consume them both until a deadly enemy threatens to destroy their new love. PRINCESS is historical romance at its best--full of adventure, intrigue, and pageantry--from an amazingly talented new author whose storytelling career is just beginning. . . . Enjoy! Shauna Summers Senior Editor The Ballantine Publishing Group

“It is well that war is so terrible,” Robert E. Lee reportedly said, “or we would grow too fond of it.” The essays collected here make the case that we have grown too fond of it, and therefore we must make the war ter­rible again. Taking a “freakonomics” approach to Civil War studies, each contributor uses a seemingly unusual story, incident, or phenomenon to cast new light on the nature of the war itself. Collectively the essays remind us that war is always about damage, even at its most heroic and even when certain people and things deserve to be damaged. Here then is not only the grandness of the Civil War but its more than occasional littleness. Here are those who profited by the war and those who lost by it—and not just those who lost all save their honor, but those who lost their honor too. Here are the cowards, the coxcombs, the belles, the deserters, and the scavengers who hung back and so survived, even thrived. Here are dark topics like torture, hunger, and amputation. Here, in short, is war.

THE #1 NEW YORK TIMES BESTSELLER A Times, Sunday Times and Telegraph Book of the Year ______________________________________________ 'A triumph ... a masterclass in the bottling of its subject's seductive essence. His presence in this book is so strong that it's hard to believe he has really left the building' MOJO 'Handsomely presented, visually sumptuous' THE TIMES ______________________________________________ From Prince himself comes the brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time-featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death. Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in pop history. But he wasn't only a musician-he was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of his early records to the mythical landscape of Purple Rain to the psychedelia of Paisley Park. But his greatest creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince-a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince's childhood world through his own lyrical prose. The second part takes us into Prince's early years as a musician, before his first album released, through a scrapbook of Prince's writing and photos. The third section shows us Prince's evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain-the final stage in Prince's self-creation, as he retells the autobiography we've seen in the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring's riveting and moving introduction about his short but profound collaboration with Prince in his final days-a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated-and annotations that provide context to each of the book's images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince's ideas and vision, his voice and image, his undying gift to the world. ______________________________________________ 'Prince's voice comes through loud and clear; his personality, joie de vivre and single-mindedness jumping off the page throughout.' CLASSIC POP MAGAZINE 'The Beautiful Ones is for everyone. It's not a read, but an experience, an immersion inside the mind of a musical genius. You are steeped in Prince's images, his words, his essence... The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it will deepen the connection of any reader with the musical icon." USA TODAY 'An affirmation of Prince's Blackness and humanity... Prince writes about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection and musical analysis... Prince is one of us - he just worked to manifest dreams that took him from the North Side of Minneapolis to the Super Bowl.' HUFFPOST 'A compelling curiosity that finds its author orbiting around a few touchingly intimate encounters with his sphinx-like subject ... with passages, lyric sheets and photographs from the Purple One himself' TELEGRAPH, Books of the Year 'Both a pleasure and a surprise ... Prince took the project very seriously, and it shows in the work he delivered. ... It shines an intimate and revealing light on the least-known period of his life' VARIETY 'The Beautiful Ones is a book in pieces, fragments of the ground-breaking autobiography Prince had planned. Pieced together after his death in 2016, it collects his handwritten childhood memoires, superb personal photographs and his chosen co-writer Dan Piepenbring's vivid account of their brief collaboration. Yet remarkably despite the central absence, it still catches something of Prince between the gaps - a trace of perfume, a glance to camera, a first kiss' SUNDAY TIMES, Book of the Year 'This is a beautiful book and a must-have for Prince completists' DAILY EXPRESS 'A ghostly memoir of a pop legend' THE i