A complete look at the career of one of Broadway's most influential producer/directors. The elements of Prince's signature--his convention-challenging subject matter and use of music, the revitalizing theatricality of his production designs--are discussed in detail. Illustrated with photos from the hit shows which show his innovative concepts in decor and state movement.

In this fast-moving, candid, conversational, and entertaining memoir, Harold Prince, the most honored director in the history of the American theater (22 Tony Awards and counting), looks back over his 70-year (and counting!) career. Featuring original material from Contradictions: Notes on Twenty-Six Years in the Theatre, Prince provides a fresh, new perspective on his writing from the vantage point of today. Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita, and Phantom of the Opera, with Prince's perceptive comments about his mentor George Abbott and his many celebrated collaborators, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, John Kander, Boris Aronson, Andrew Lloyd Webber, Angela Lansbury, Elizabeth Taylor, Zero Mostel, Carol Burnett, and Joel Grey. As well as detailing his titanic successes that changed the form and content of the American musical theater, Prince even-handedly reflects on the shows that didn't work, most memorably and painfully Merrily We Roll Along. Throughout, he offers insights into the way business is conducted on Broadway, drawing sharp contrasts between past and present. This thoughtful, complete account of one of the most legendary and long-lived careers in theater history, written by the man who lived it, is an essential work of personal and professional recollection.

In the Kingdom of Sholveria the once happy and contented royal household is thrown into shambolic uproar. Jimskinov has been kidnapped, the little princes are on his trail . . . and the Potion has GONE! There are plenty of snot-licking, foot-stamping, lip-smacking giggle moments as the dynamic Dukes and Perfect Princesses join forces with a host of glorious characters to outwit evil Prince John to once again restore harmony. “The children squirmed as Maria’s whole body began to shake. She was like a volcano that was about to erupt, but somehow and very unusual for Maria, she didn’t erupt. For although she wanted to rant and rave and screech and squabble and stamp her feet and wave her arms, she knew that at this time it was important, if their plan was to succeed, to stay calm and quiet.”

"Hal Prince's career in the American theatre ... [as of 1974] has encompassed every aspect of producing and directing. Having served his apprenticeship with George Abbott, he co-produced in 1954 (with Robert Griffith and Frederick Brisson) the hit musical The Pajama Game. He went on to produce (with Robert Griffith and Frederick Brisson) Damn Yankees and New Girl in Town. In 1957, he produced (with Robert Griffith and Roger L. Stevens) West Side Story, and two years later (with Robert Griffith), the Pulitzer Prize-winning Fiorello! In addition, he produced Take Her, She's Mine, A Funny Thing Happened on the Way to the Forum, and the record breaking Fiddler on the Roof. He worked in the dual capacity of director and producer on She Loves Me, Cabaret, Zorba, Company, Follies, A Little Night Music, and most recently, Candide. He also directed one film, Something for Everyone. In telling the story of his career, Hal Prince deals self-critically with his experience in the theatre and gives his candid opinions on such varied subjects as the harm a star can do to a show, the single-mindedness of unions, the choice of the right theatre, the power of the critic, good and bad, and most important, the director as producer."--Dust jacket.

The thrilling prequel to the New York Times–bestselling Summoner series! When stable boy Arcturus accidentally summons a demon and becomes Hominum's first common summoner, he becomes the key to a secret that the powerful overlords would do anything to keep hidden. Whisked away to Vocans Academy so he can be kept watch over, Arcturus finds himself surrounded by enemies. But he has little time to settle in before his life is turned upside down once again, for Hominum Empire is in turmoil. Rebellious intent simmers among the masses, and it will not be long before it boils over. Arcturus must choose a side . . . or watch an Empire crumble. The Summoner Trilogy The Novice The Inquisition The Battlemage Also in the Summoner series The Outcast (Summoner: The Prequel) The Summoner’s Handbook (Fall 2018) A Fine Welcome: Othello’s Journey (A Summoner Short Story)

Using the enemy's own portals, King Arik sends the elite forces of Alcea to Zara to crush the Federation. Woefully outnumbered, the Alceans join forces with the indigenous rebels to battle the massive armies of Emperor Jaar while the Knights of Alcea scheme from within the enemy's leadership to foil the Federation's ability to respond. While the world focuses on the battle between King Arik and the Federation, Fakir Aziz gathers the most powerful mages in Zara to carry his own battle directly to Alutar, the Great Demon. Should the Mage fail, all is lost.