First published in 1926, Primitive Culture in Italy intends to determine to what extent there survived, in the ancient civilization with which it deals, any characteristic features of savage life and thought. The primitive man provides an ideal beginning to study the long upward progress of humanity. This book is not for the specialist, but for the general reader who wishes to know something of the beginnings of a great and notable civilization, the effects of which are still to be seen in our modern culture.

This handbook is a study of Latin literature, including not only the classical and post-classical pagan authors, but also a representative selection of the Christian writers down to the death of St. Augustine.

Using the results of archaeological techniques, and examining methodological debates, Tim Cornell provides a lucid and authoritative account of the rise of Rome. The Beginnings of Rome offers insight on major issues such as: Rome’s relations with the Etruscans the conflict between patricians and plebeians the causes of Roman imperialism the growth of slave-based economy. Answering the need for raising acute questions and providing an analysis of the many different kinds of archaeological evidence with literary sources, this is the most comprehensive study of the subject available, and is essential reading for students of Roman history.

A linguistic & archaeological attempt to construct a history of pre-Roman Italy. Extensive bibliographical notes at the end of each chapter; profusely illustrated. By the noted Harvard philologist & historian, author of "Pre-Italic Dialects of Italy." Illus.

Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians’ Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world’s major religions, and in the secular, contemporary world. Foreword by Jeff Malpas Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.