The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.

The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.

This unique work profiles the private lives and careers of 32 American game show hosts, including the originals (e.g., Bill Cullen, Peter Marshall), the classics (e.g., Bob Barker), and the contemporaries (e.g., Regis Philbin). Organized by host, each chapter includes birth and family information and a complete career history. The most significant developments of each host's early life and career are highlighted--complete with successes, failures, and scandals. Many of the biographies are accompanied by interviews with the host or his family and friends.

AMERICA'S #1 BESTSELLING TELEVISION BOOK-- NOW REVISED AND UPDATED! The biggest and best television reference ever published, this is the guide you'll turn to again and again for information on every nighttime network series ever telecast and all the top syndicated and cable series! From The Ed Sullivan Show, The Honeymooners, and Happy Days to Party of Five, The X-Files, and Dharma & Greg, this comprehensive directory lists every program alphabetically and includes the complete broadcast history, cast list, and plot summary, along with exciting behind-the-scene stories about the shows and stars. EXTENSIVE ORIGINAL CABLE COVERAGE with more than XXX entries, from Larry King Live to Talk Soup and South Park. MORE THAN 350 NEW NETWORK AND SYNDICATED SERIES, including Ally McBeal, The Practice, Will & Grace, and Sports Night. UPDATED LISTINGS OF CONTINUING SHOWS, including Frasier, The Simpsons, and 60 Minutes. BRAND-NEW APPENDIX listing network Web addresses. SPECIAL FEATURES! - Annual program schedules at a glance for the past fifty-three years - Top-rated shows of each season - Emmy Award winners - Longest running series - Spinoff series - Theme songs - Fascinating history of the "Seven Eras" of TV programming - More than fifty entries for the leading cable networks - And much, much more!

The relationship of Hollywood and television, initially turbulent, has ultimately been profitable from the first sally in what was expected to be a war of attrition, up through the soliciting of movies by major networks, independent stations, basic cable networks, premium cable channels, pay-per-view systems and even the corner video store. When their initial efforts to acquire ownership interests in television outlets were thwarted, Hollywood's major movie studios determined to withhold from the tube not only their films but also their actors, no doubt in hopes of making the rival medium appear a weak substitute for cinema. With ticket sales shrinking and television set purchases booming, the studios, erasing their last contemptuously drawn line in the sand, grudgingly released their films to television--and made a fortune.