A cross between a human and a bonobo? Carl Sagan and others have speculated: Is it possible? What kind of creature would it be? And how might this affect our world? Kelpie Wilson takes the premise and runs with it in this engaging novel. Primal Tears is the story of Sage, born to a young woman who has volunteered to be a surrogate mother for an endangered species of chimpanzee. The process goes awry, and Sage, a lovable youngster, is neither completely one species nor the other. When her existence becomes public knowledge, she needs all the best characteristics of both species to find a place for herself in our human-dominated world.

In Tears, the author explores theoretical issues raised by the intersection of philosophy, literature, art, architecture, and theology. The critical accounts of thinkers like Derrida, Blanchot, Jabès, Kierkegaard, Hegel, Heidegger, Ricoeur, Gadamer, Austin, Ayre, Rorty, Tillich, Barth, and Altizer developed in this book effectively reshape and refocus the terms of current debate.

The fate of the world is in her hands! How I wish I could see what the Ancients saw, but a mystery it remains, and the answers elude us all. The end of the world so very near, according to the Maya of old, but something tells me this Crystal holds that which is yet to be told. Maya mythistory tells of a Fire Macaw, who on one sunny day, destroyed the evil world we have, and nothing remained to claim. But if this Crystal is that which everyone seeks to find, I hold here in my very own hands, that which could save mankind.

This provocative and indispensable book provides a natural and cultural history of our most mysterious and complex human function: our ability to shed tears. All humans, and only humans, weep. Tears are sometimes considered pleasurable, sometimes dangerous, mysterious, deceptive, or profound. Tears of happiness, tears of joy, the proud tears of a parent, tears of mourning, tears of laughter, tears of defeat --what do they have in common? Why is it that at times of victory, success, love, reunion, and celebration the outward signs of our emotions are identical to those of our most profound experiences of loss? Why We Cry looks at the many different ways people have understood weeping, from the earliest known representation of tears in the fourteenth century B.C. through the latest neurophysiological research. Despite our most common romantic assumptions, what this brilliant book tells us is that tears are never pure, they are never simple.

He's a bad boy Famous criminal defense attorney Jackson Moore thought he had left his bad-boy past behind him—but his childhood sweetheart had different plans for him. Rachelle Remont thought she could forget her tragic small-town history by writing about it in her nationally syndicated column. She hadn't counted on Jackson Moore's return, or on the way her blood ran hot at the sight of him. He was determined to discover the town's secrets with Rachelle—and in doing so, uncover some secrets of their own…. He's just a cowboy For six agonizing years Heather Tremont Leonetti tried to make a lie of the breathless summer when rodeo rider Turner Brooks broke her innocence and branded her heart. But now only the truth could save her most precious, cherished memento. Which meant she'd have to beg the help of the one man who could drive her to her knees—the proud, unforgiving loner she'd loved…the unforgettable cowboy who'd sired her son.

Douglas Stewart Prize for Non-Fiction Indigenous Writers' Prize UTS Glenda Adams Award for New Writing Longlisted for the 2023 Stella Prize Prime Minister's Summer Reading List 2022, Grattan Institute We Come with This Place is a remarkable book, as rich, varied and surprising as the vast landscape in which it is set. Debra Dank has created an extraordinary mosaic of vivid episodes that move about in time and place to tell an unforgettable story of country and people. There is great pain in these pages, and anger at injustice, but also great love, in marriage and in family, and for the land. Dank faces head on the ingrained racism, born of brutal practice and harsh legislation, that lies always under the skin of Australia, the racism that calls a little Aboriginal girl names and beats and rapes and disenfranchises the generations before hers. She describes sudden terrible violence, between races and sometimes at home. But overwhelmingly this is a book about strong, beloved parents and grandparents, guiding and teaching their children and grandchildren what country means, about joyful gatherings and the pleasures of eating food provided by the place that nourishes them, both spiritually and physically. We Come with This Place is deeply personal, a profound tribute to family and the Gudanji Country in Australia, to which Debra Dank belongs, but it is much more than that. Here is Australia as it has been for countless generations, land and people in effortless balance, and Australia as it became, but also Australia as it could and should be.

“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR “[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.