ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR NAMED ONE OF THE 50 BEST MEMOIRS OF THE PAST 50 YEARS BY THE NEW YORK TIMES SELECTED AS A BEST BOOK OF THE YEAR BY: The Washington Post * Elle * NPR * New York Magazine * Boston Globe * Nylon * Slate * The Cut * The New Yorker * Chicago Tribune WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOR “Affectionate and very funny . . . wonderfully grounded and authentic. This book proves Lockwood to be a formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review From Booker Prize finalist Patricia Lockwood, author of the novel No One Is Talking About This, a vivid, heartbreakingly funny memoir about balancing identity with family and tradition. Father Greg Lockwood is unlike any Catholic priest you have ever met—a man who lounges in boxer shorts, loves action movies, and whose constant jamming on the guitar reverberates “like a whole band dying in a plane crash in 1972.” His daughter is an irreverent poet who long ago left the Church’s country. When an unexpected crisis leads her and her husband to move back into her parents’ rectory, their two worlds collide. In Priestdaddy, Lockwood interweaves emblematic moments from her childhood and adolescence—from an ill-fated family hunting trip and an abortion clinic sit-in where her father was arrested to her involvement in a cultlike Catholic youth group—with scenes that chronicle the eight-month adventure she and her husband had in her parents’ household after a decade of living on their own. Lockwood details her education of a seminarian who is also living at the rectory, tries to explain Catholicism to her husband, who is mystified by its bloodthirstiness and arcane laws, and encounters a mysterious substance on a hotel bed with her mother. Lockwood pivots from the raunchy to the sublime, from the comic to the deeply serious, exploring issues of belief, belonging, and personhood. Priestdaddy is an entertaining, unforgettable portrait of a deeply odd religious upbringing, and how one balances a hard-won identity with the weight of family and tradition.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was supposed to go to a Great Books college in the winter of 2001, but my father called me into his study two weeks before I was scheduled to depart for Annapolis. He explained that the money just wasn’t there. I didn’t ask any questions. I understood that there were ways around it. #2 I visited my father’s guitar store, where he was a dealer. His collection was filled with gleaming guitars on stands, candy-apple red, spruce green, lake blue, and carapace black. He would soon acquire another guitar, more costly than all of them. #3 I moved from the rectory of my father’s church in Cincinnati to the abandoned convent next door. The convent looked out on a petroleum plant, and just beyond that, the polluted, hellbender-colored Ohio River. I spent my time reading books online. #4 I was in love with a man I had never met, and we would talk on the phone for hours. I was never afraid to sleep alone in that convent, but I would wake up to a seeming sunrise out the window.

In Living in Language, David Bosworth makes a compelling case for the power and relevance of the literary imagination throughout history. In a series of essays both lyrical and analytical, he examines how certain works have engaged the most pressing problems of their authors’ ages even as they illuminate challenges that still haunt the world. The topics addressed are rich and various: the evolutionary significance of metaphorical reasoning; how Hitler’s infatuation with an opera’s plot predicted the arc of his horrific reign, even as his victims employed the power of narrative to endure his crimes; the ways in which Melville’s late fiction foresaw the sources driving America’s current cultural crisis; and how, in probing his era’s political turmoil, Shakespeare’s plays supply clues to resolving the current era’s. From the spiritual quest of a musical prose to the cinematic craft of amending America’s foundational story; from the myth of the Fall to novels that probe the Internet’s impact on our lives today, Bosworth reveals how the literary imagination honors the “living” prescribed by the human predicament, evoking its beauty while never stinting on its uncertainties, cruelties, and pain.

A brilliant, sweeping history of the contemporary women’s movement told through the lives and works of the literary women who shaped it. Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan, and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry, and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine, and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate, and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa, and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick, and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.

FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 WINNER OF THE DYLAN THOMAS PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

The Eucharist is common Sunday fare in most Anglican churches, and the point in ritual where God and humanity most closely meet. It nourishes the soul, deepens and extends community, reaches deeper than any other Christian practice. But collective worship has been in steep decline and Eucharistic practice has been further disrupted by the pandemic. In The Eucharist in Four Dimensions, Jessica Martin considers the place of the Eucharist today using four approaches: · The Point of the Eucharist – its essence, story and what it is for in contemporary culture; the divine value it gives to the weak and the broken; · Flat Eucharist – the meaning of the Eucharist in a world of written liturgy and screened worship; · The Eucharist as event - the role of physical gathering and communal eating in the Eucharistic drama of communal feast; how this works when we are physically absent; · The Eucharist in time – how memory brings together Jesus’s past physical present with the meetings and partings of our own lives. This is an essential guide to the Eucharist for all ministering in a world of streamed services and remote worship.

Why do Americans presume to know "what's really going on" in marginal religions? Sex abuse happens in all communities, but American religious outsiders often face disproportionate allegations of sexual abuse. Abusing Religion argues that sex abuse in minority religious communities is an American problem, not (merely) a religious one.