A condensed and modernized version Jane Austen's Pride & Prejudice retold in text messages and emojis? OMG!

Mr Darcy *heart eyes emoji* Lizzie Bennet. But will she swipe right? Delight in Austen’s intelligent wit and piercing social commentary, distillled and translated into the beautiful, modern language of emoji. Because there is no enjoyment like reading. Except maybe texting.

Jane Austen's Pride and Prejudice has now been entirely retold in texts and emojis, in Emoji Pride and Prejudice. See how this classic plays out in modern discourse! High society and romance are the hallmarks of this classic story. But what would happen if the characters of Pride and Prejudice texted each other non-stop rather than engaging in their melodrama directly? Would Elizabeth call Mr. Darcy a poop emoji? Would Darcy drink and dial and accidentally reveal his true feelings complete with a heart emoji? In this laugh out loud re-telling of Jane Austen's famous work, you'll get a condensed, modern interpretation of the world's greatest love story... all told with everyone's favorite emojis and the now ubiquitous text bubbles. Featuring hundreds of classic and some brand new emojis, along with a removable poster (featuring all the emojis), Emoji Pride and Prejudice is the perfect gift for the Austen lover. Or anyone that can't seem to get off their phone, of course.

Courtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and a perilous journey across a turbulent sea. This volume brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era - most notably with the arrival of the printed valentine's card - revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges as something that we do in practice, enacted by couples through particular socially and historically determined rituals.

Ian McEwan once said, 'When women stop reading, the novel will be dead.' This book explains how precious fiction is to contemporary women readers, and how they draw on it to tell the stories of their lives. Female readers are key to the future of fiction and—as parents, teachers, and librarians—the glue for a literate society. Women treasure the chance to read alone, but have also gregariously shared reading experiences and memories with mothers, daughters, grandchildren, and female friends. For so many, reading novels and short stories enables them to escape and to spread their wings intellectually and emotionally. This book, written by an experienced teacher, scholar of women's writing, and literature festival director, draws on over 500 interviews with and questionnaires from women readers and writers. It describes how, where, and when British women read fiction, and examines why stories and writers influence the way female readers understand and shape their own life stories. Taylor explores why women are the main buyers and readers of fiction, members of book clubs, attendees at literary festivals, and organisers of days out to fictional sites and writers' homes. The book analyses the special appeal and changing readership of the genres of romance, erotica, and crime. It also illuminates the reasons for British women's abiding love of two favourite novels, Pride and Prejudice and Jane Eyre. Taylor offers a cornucopia of witty and wise women's voices, of both readers themselves and also writers such as Hilary Mantel, Helen Dunmore, Katie Fforde, and Sarah Dunant. The book helps us understand why—in Jackie Kay's words—'our lives are mapped by books.'

The book is a critical examination of the complex role of writing in court-involved young adults’ lives. The purpose of this book is to provide an in-depth look at how writing might possibly be the best opportunity to give students multiple tools to deal with their circumstances in life: to give them a voice to express themselves; an opportunity to recognize their strengths; a way to document their aspirations; and chance to give them hope. Furthermore, this book will advocate for literacy instruction that is grounded in research, and will advocate for youth to be creative meaning-makers, and finally this book will underscore the power of writing as a way to amplify beliefs and life experiences. This book includes current research that supports a framework for teaching writing, particularly for those youth who are marginalized and disenfranchised, while considering the meaning of equity in education.

A modern retelling of a classic tale set in one of Turkey's most captivating cities. This enemies to lovers romantic comedy is perfect for fans of escapist summer reads and closed door romance. Having led a safe (admittedly boring) life until now, Eliza Britt wasn’t about to turn down the opportunity to work in Antalya, Turkey. With the Mediterranean calling, she was excited to help lead the university’s English department and to finally have a little adventure in her life. On arrival Eliza soon realizes that her new posting won’t be all cerulean waters and exploring a new culture. Instead she’s faced with Deniz Aydem. Forced to work together, Eliza isn’t sure she will be able to ignore his arrogance or the unexpected attraction she feels for him. Eliza and Deniz differ in every way. She’s American, he’s Turkish. She embraces her sense of humor, whereas Deniz has a serious disposition. But regardless of all their differences, something is simmering beneath the surface of their interactions. Whether it’s love or just an intense dislike for each other remains to be seen. Grab your copy now to be swept up into this multicultural comedy set against the backdrop of Turkey. Escape to the Mediterranean sun for an uplifting enemies to lovers story.