Preventing Lethal Violence in New Orleans is inspired by the conference of the same name held in October 2012 at Loyola University in New Orleans and offers a sample of the presentations and roundtable discussions related to the historical and cultural uniqueness of New Orleans and its record of homicides over the years. Special attention is given to innovative research evidence on the most promising programs that may be applied to New Orleans addressing the problem of interpersonal lethal violence, its distribution across the city, epidemiological patterns and structural etiology, and the ways to ameliorate it through community efforts. Contributors include: Lydia Voigt, Dee W. Harper, William Thornton, Jeffery Adler, Peter Iadicola, David Hemenway, Sean Goodison, Rae Taylor, Jay Corzine, Lin Huff-Corzine, Aaron Poole, James McCutcheon, Sarah Ann Sacra, Wendy Regoeczi, and Ronal Serpas.

This book puts forward a comprehensive criminology of disaster by drawing - and building - upon existing theories which attempt to explain disaster crime. Although antisocial behaviour in disasters has long been viewed as a rarity, the authors present ample evidence that a variety of crime occurs in the wake of disaster. Frailing and Harper's explorations of property crime, interpersonal violence and fraud during disaster reveal the importance of methodological approaches to understanding these phenomena. They highlight the need for the application of social disorganization, routine activity and general strain theories of crime in the development of disaster crime prevention strategies. An accessible and detailed study, this book will have particular appeal for both students and scholars of criminology, sociology, disaster studies and emergency management.

New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.

In this engaging and accessible book, Brookman draws upon several decades of her own research on homicide and violence, including ethnographic research on homicide investigation in the UK and USA and interviews with violent offenders, in order to unravel the characteristics and causes of homicide, how police and forensic scientists investigate it and how it can be prevented. Synthesising bespoke new analysis of the Home Office Homicide Index with case studies of homicides and international debate and literature, this comprehensive textbook will be a valuable resource for students studying homicide, violence, its investigation and responses to it, as well as researchers and practitioners interested in homicide and violence.

Lethal Violence: A Sourcebook on Fatal Domestic, Acquaintance and Stranger Aggression applies the lethal violence sequence analysis to a wide-ranging array of fatal aggression, resulting in a multitude of observations and principles of violence. This sourcebook provides base rate information and cases for each type of fatal interaction, then applies the knowledge to violence-related situations and settings.

Science and Secrets of Ending Violent Crime is not just about the solid violence prevention science but for the first time the secrets of how to transform our world to get that science used. It presents strategies to get smart investment in ending violent crime instead of misspending on law enforcement and jails.

New Orleans’s reputation as a decadent city stems in part from its environmental precariousness, its Francophilia, its Afro-Caribbean connections, its Catholicism, and its litany of alleged “vices,” encompassing prostitution, miscegenation, homosexuality, and any number of the seven deadly sins. An evocative work of cultural criticism, Robert Azzarello’s Three Hundred Years of Decadence argues that decadence can convey a more nuanced meaning than simple decay or decline conceived in physical, social, or moral terms. Instead, within New Orleans literature, decadence possesses a complex, even paradoxical relationship with concepts like beauty and health, progress, and technological advance. Azzarello presents the concept of decadence, along with its perception and the uneasy social relations that result, as a suggestive avenue for decoding the long, shifting story of New Orleans and its position in the transatlantic world. By analyzing literary works that span from the late seventeenth century to contemporary speculations about the city’s future, Azzarello uncovers how decadence often names a transfiguration of values, in which ideas about supposed good and bad cannot maintain their stability and end up morphing into one another. These evolving representations of a decadent New Orleans, which Azzarello traces with attention to both details of local history and insights from critical theory, reveal the extent to which the city functions as a contact zone for peoples and cultures from Europe, Africa, and the Americas. Drawing on a deep and understudied archive of New Orleans literature, Azzarello considers texts from multiple genres (fiction, poetry, drama, song, and travel writing), including many written in languages other than English. His analysis includes such works of transcription and translation as George Washington Cable’s “Creole Slave Songs” and Mary Haas’s Tunica Texts, which he places in dialogue with canonical and recent works about the city, as well as with neglected texts like Ludwig von Reizenstein’s German-language serial The Mysteries of New Orleans and Charles Chesnutt’s novel Paul Marchand, F.M.C. With its careful analysis and focused scope, Three Hundred Years of Decadence uncovers the immense significance—historically, politically, and aesthetically—that literary imaginings of a decadent New Orleans hold for understanding the city’s position as a multicultural, transatlantic contact zone.