When travelwisdom.com assigns PR specialist Caroline Beckett and travel blogger Emma Morgan to cover a hot new couples retreat, they’re forced to fake a relationship to secure a reservation. Ten days in paradise would be a dream assignment, if only they’d stop arguing long enough to enjoy it. Reputations are Caroline’s business. Too bad she was forced out of her previous job when an ex smeared hers all over the office grapevine. She’s never getting involved with a coworker again, especially not one as careless and unprofessional as Emma. Emma knows that life is too short to play by the rules. But when she goes too far and a defamation lawsuit puts her job in jeopardy, she has to make nice with Caroline, the image police, and deliver the best story of her career. Only pretending to be in love sure feels a whole lot like falling in love. When their story goes public, ambition and privacy collide, and their chance at making a fake relationship real might just be collateral damage.

Molly Arnette is very good at keeping secrets. She lives in San Diego with a husband she adores, and they are trying to adopt a baby because they can't have a child on their own. But the process of adoption brings to light many questions about Molly's past and her family-the family she left behind in North Carolina twenty years before. The mother she says is dead but who is very much alive. The father she adored and whose death sent her running from the small community of Morrison's Ridge. Her own birth mother whose mysterious presence in her family raised so many issues that came to a head. The summer of twenty years ago changed everything for Molly and as the past weaves together with the present story, Molly discovers that she learned to lie in the very family that taught her about pretending. If she learns the truth about her beloved father's death, can she find peace in the present to claim the life she really wants? Told with Diane Chamberlain's compelling prose and gift for deft exploration of the human heart, Pretending to Dance is an exploration of family, lies, and the complexities of both.

Safe in the knowledge that adoption has made them "forever family," stepsisters Mia and Tayja improvise an imaginary adventure with a joyful homecoming to a real home with their two moms.

Spending long, languid weekends in St. Thomas would seem like a dream job for most people. For single, thirty-something Ashley Farrell, however, it comes with the humiliation of having to act as chaperone for the varlous bachelor and bachelorette winners of a popular TV dating show. But this dead-end junket shows signs of new life. Between safeguarding the morals of curvaceous Melissa and voracious Randy and avoiding the diamond-dripping wife of a reputed crime boss, Ashley is attracting the serious attention of a tall, deliciously sexy stranger she met on the airplane. Things are definitely looking up! Until she discovers a dead bodyguard on the beach... Until she finds herself surrounded by FBI agents... Until she is arrested for murder... And now there's big trouble in paradise for sure!

“Trapped in their cozy catacombs, the couples have made sex by turns their toy, their glue, their trauma, their therapy, their hope, their frustration, their revenge, their narcotic, their main line of communication and their sole and pitiable shield against the awareness of death.”—Time One of the signature novels of the American 1960s, Couples is a book that, when it debuted, scandalized the public with prose pictures of the way people live, and that today provides an engrossing epitaph to the short, happy life of the “post-Pill paradise.” It chronicles the interactions of ten young married couples in a seaside New England community who make a cult of sex and of themselves. The group of acquaintances form a magical circle, complete with ritualistic games, religious substitutions, a priest (Freddy Thorne), and a scapegoat (Piet Hanema). As with most American utopias, this one’s existence is brief and unsustainable, but the “imaginative quest” that inspires its creation is eternal. Praise for Couples “Couples [is] John Updike’s tour de force of extramarital wanderlust.”—The New York Times Book Review “Ingenious . . . If this is a dirty book, I don’t see how sex can be written about at all.”—Wilfrid Sheed, The New York Times Book Review

NEW YORK TIMES BESTSELLER • “Macomber hits the sweet spot with this tender tale of impractical love. . . . A delicious Christmas miracle well worth waiting for.”—Publishers Weekly (starred review) Carrie Slayton, a big-city society-page columnist, longs to write more serious news stories. So her editor hands her a challenge: She can cover any topic she wants, but only if she first scores the paper an interview with Finn Dalton, the notoriously reclusive author. Living in the remote Alaskan wilderness, Finn has written a megabestselling memoir about surviving in the wild. But he stubbornly declines to speak to anyone in the press, and no one even knows exactly where he lives. Digging deep into Finn’s past, Carrie develops a theory on his whereabouts. It is the holidays, but her career is at stake, so she forsakes her family celebrations and flies out to snowy Alaska. When she finally finds Finn, she discovers a man both more charismatic and more stubborn than she even expected. And soon she is torn between pursuing the story of a lifetime and following her heart. Filled with all the comforts and joys of Christmastime, Starry Night is a delightful novel of finding happiness in the most surprising places. Don’t miss Debbie Macomber’s short story “Lost and Found in Cedar Cove” in the back of the book.

The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside