Prête-moi ta femme. Le film complet : ciné-roman
Title | Prête-moi ta femme. Le film complet : ciné-roman PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 1937 |
Genre | |
ISBN |
The Complete Index to Literary Sources in Film
Title | The Complete Index to Literary Sources in Film PDF eBook |
Author | Alan Goble |
Publisher | Walter de Gruyter |
Pages | 1044 |
Release | 2011-09-08 |
Genre | Literary Criticism |
ISBN | 3110951940 |
Les Trois grâces (The Greeks had a word for them). Le film complet
Title | Les Trois grâces (The Greeks had a word for them). Le film complet PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 1933 |
Genre | |
ISBN |
Maman (over the hill). Le film complet : ciné-roman
Title | Maman (over the hill). Le film complet : ciné-roman PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 1932 |
Genre | |
ISBN |
The Filmgoer
Title | The Filmgoer PDF eBook |
Author | |
Publisher | |
Pages | 642 |
Release | 1937 |
Genre | Motion pictures |
ISBN |
Français Interactif
Title | Français Interactif PDF eBook |
Author | Karen Kelton |
Publisher | |
Pages | |
Release | 2019-08-15 |
Genre | |
ISBN | 9781937963200 |
This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.
The Sounds of Early Cinema
Title | The Sounds of Early Cinema PDF eBook |
Author | Richard Abel |
Publisher | Indiana University Press |
Pages | 350 |
Release | 2001-10-03 |
Genre | Performing Arts |
ISBN | 9780253108708 |
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.