'Searching for the Secret River is the extraordinary story of how Kate Grenville came to write her award-winning novel, The Secret River. It all began with her ancestor Solomon Wiseman transported to New South Wales for the term of his natural life who later became a wealthy man and built his colonial mansion on the Hawkesbury. Increasingly obse...

Physical and mental, sexual and literary, constructive and destructive. Coming of age in a small town peopled with big characters, he finds his new teacher Miss Peach the most unforgettable of all – his memories of her will haunt him for the rest of his life. Everything I Knew is at once laugh-out-loud funny and cry-out-loud tragic – farcical, horrifying, confronting – and bursting with originality. It challenges our determination to believe in the innocence of childhood and adolescence, and yet again shows Peter Goldsworthy to be a master of shifting tone. There is no novel quite like it in Australian literature. 'Few of his Australian contemporaries are so skilled at the narrative arts as Goldworthy, let alone so fearless in seeking new, rather than familiar, fictional ground to work.' Peter Pierce, Sydney Morning Herald 'Intelligent, complex and deeply affecting.' Murray Bramwell, Adelaide Review 'A bawdy, honest, funny, tragic book about the aspirations of the young and how life happens to them. One of the best novels this year. Simply brilliant.' Ian Nichols, West Australian

As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one.