The future that Generation Z will inherit is threatened by issues ranging from social media abuse to genetic modification. In this anthology, twenty-four young writers from Singapore American School tackle the dilemmas closest to their hearts. While satirizing that which makes them feel powerless, they hope to shed light on the injustice in the world around them.

So it's kind of like a parlor game, then?... The question is apparently of Ancient Eastern extraction.... It seems to be a gut thing. The answer just feels right and then you come up with reasons.... Given a relatively level playing field -- i.e., water deep enough so that a Shark could maneuver proficiently, but shallow enough so that a Bear could stand and operate with its characteristic dexterity -- who would win in a fight between a Bear and a Shark? In this brilliant satire of our media-saturated culture, the sovereign nation of Las Vegas -- the entertainment capital of the world -- is host to Bear v. Shark II. After a disappointing loss in the first matchup between the land and the sea, the bear is back with a vengeance and out for blood. All of America is obsessed with the upcoming spectacle, so tickets are hard to come by. With an essay entitled "Bear v. Shark: A Reason to Live," young Curtis Norman wins a national writing contest and four tickets to the event. The Normans load up their SUV and embark on a road trip to Vegas. As they head cross-country, the family is besieged by a dizzying barrage of voices: television and radio personalities, public service announcements, bear and shark pundits, Freudians, theologians, and self-published authors, in addition to the Bear v. Shark fanatics, cultists, and resisters they meet at roadside gas stations and restaurants. Overwhelmed by factoids, statistics, and ten-second debates, the Normans -- along with the rest of country -- can't seem to get their facts straight, much less figure out a way to actually communicate with one another. Sound bites and verbal tics predominate; misheard, misunderstood, and just plain mistaken information is absorbed, mangled, and regurgitated to hilarious effect; and the most inane subjects -- from the disappearance of Dutch culture to the Shakespearean bias toward the bear -- are vigorously and obsessively debated. These meaningless exchanges of misinformation leave Mr. Norman disenchanted, world-weary, and ambivalent about the impending show, but the family eventually makes it to Vegas for an apocalyptic and surprisingly emotional ending. Written in quick, commercial-like segments that mirror the media it satirizes, Chris Bachelder's debut is a fiercely funny, razor-sharp novel about the odd intersection of zealotry and trivia, about the barriers to human connection in a society that values entertainment above all else. Through a clever act of novelistic subterfuge, Bachelder makes us laugh at our penchant for absurd and useless information while drawing us into a dazzling spectacle of his own imagination.

In this book, Margaret Atwood’s dystopian novels—The Handmaid’s Tale, the MaddAddam trilogy, The Heart Goes Last, and The Testaments—are analyzed from the perspective provided by the combined views of the construction of the posthuman subject in its interactions with science and technology, and the Anthropocene as a cultural field of enquiry. Posthumanist critical concerns try to dismantle anthropocentric notions of the human and defend the need for a closer relationship between humanity and the environment. Supported by the exemplification of the generic characteristics of the cli-fi genre, this book discusses the effects of climate change, at the individual level, and as a collective threat that can lead to a "world without us." Moreover, Margaret Atwood is herself the constant object of extensive academic interest and Posthuman theory is widely taught, researched, and explored in almost every intellectual field. This book is aimed at worldwide readers, not only those interested in Margaret Atwood’s oeuvre, but also those interested in the debate between critical posthumanism and transhumanism, together with the ethical implications of living in the Anthropocene era regarding our daily lives and practices. It will be especially attractive for academics: university teachers, postgraduates, researchers, and college students in general.

This volume examines a variety of utopian writing for children from the 18th century to the present day, defining and exploring this new genre in the field of children's literature. The original essays discuss thematic conventions and present detailed case studies of individual works. All address the pedagogical implications of work that challenges children to grapple with questions of perfect or wildly imperfect social organizations and their own autonomy. The book includes interviews with creative writers and the first bibliography of utopian fiction for children.

The Subtle Chaos

This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film, and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background. The international, diverse contributions, including a Foreword by Gregory Claeys, draw upon posthumanism, speculative realism, speculative feminism, object-oriented ontology, new materialisms, and post-Anthropocene studies to propose alternative perspectives on gender, environment, as well as alternate futures and pasts rendered in fiction. Instead of binary divisions into utopia vs dystopia, the collection explores genres transcending this dichotomy, scrutinising the oeuvre of both established and emerging writers, directors, and critics. This is a rich and unique collection suitable for scholars and students studying feminist literature, media cultural studies, and women’s and gender studies.

The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.