One such night, he finds himself sharing an otherwise deserted bar with a green-eyed woman. Three days later, Stanley wakes to find himself zipped into a sleeping bag, left for dead. He's missing a kidney, and a doctor kindly informs him that there's something wrong--fatally wrong--with his remaining kidney. So Stanley Ahearn finds himself on the street with a new perspective. If he wants revenge, he has to find the woman with the green eyes. If he wants to live, he has to find himself a new kidney. Gritty, dark, and utterly addictive, Prelude to a Scream is Jim Nisbet at his absolute best.

San Francisco truck driver Stanley Ahearn is slipped a pill by a prostitute and awakens in a park with a kidney cut out. The doctor who examines him discovers he has a kidney disease and will soon require a new kidney himself. Ahearn goes after the thieves.

first came the neon dawn the first book in the neon series, now comes scream in neon the prelude, book one of three, again exploring the modern worlds struggle with the past and its constant conflict in the progress of our future.

Charles Long thrilled opera audiences for more than two decades, performing on some of America's and the world's most famous stages and singing alongside some of the medium's greatest stars. Now retired, Long vividly recounts many of those experiences in this insightful, frank, and humorous memoir. Sparing no one, especially himself, from his acerbic wit and keen observations, he sheds a bright light into a world many of us respect and admire but few of us have ever encountered in such intimate detail. In the process he illustrates why the word opera, which means work in Italian, truly is a labor of love for so many who have given their all to their art.

Natalie Lindstrom has finally left the underworld behind for a new career in the art world. But there’s one world she can’t escape: the Other world of the dead. As a former Violet, an elite crime-fighter with the power to channel murder victims, Natalie is now using her paranormal gift to summon the spirits of legendary painters. But she’s about to discover how far some people will go to keep their hold on her–and others like her…. Evan Markham, her ex-lover-turned-Violet-Killer, has escaped from prison. And he’s been made an offer he can’t refuse: Natalie. But first he must help contact a deceased geneticist whose most intriguing experiment was brutally interrupted: an attempt to manufacture Violets. To protect her young daughter and herself, Natalie must search for the scientist’s only living test subject–a handsome but tortured artist to whom she is dangerously attracted. For he is caught in the grip of two opposing forces, one that wants his survival, another that wants him–and anyone connected with him–destroyed….

Language "Appealing As Sunlight After a Storm." A sentence should read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end. —Henry David Thoreau Prose consists of ... phrases tacked together like the sections of a prefabricated hen-house. —George Orwell Whether it invokes hard work or merely a hen-house, a good simile is like a good picture—it's worth a thousand words. Packed with more than 16,000 imaginative, colorful phrases—from “abandoned as a used Kleenex” to “quiet as an eel swimming in oil”—the Similes Dictionary will help any politician, writer, or lover of language find just the right saying, be it original or banal, verbose or succinct. Your thoughts will never be "as tedious as a twice-told tale" or "dry as the Congressional Record." Choose from elegant turns of phrases “as useful as a Swiss army knife” and “varied as expressions of the human face”. Citing more than 2,000 sources—from the Bible, Socrates, Shakespeare, Mark Twain, and H. L. Mencken to popular movies, music, and television shows—the Similes Dictionary covers hundreds of subjects broken into thematic categories that include topics such as virtue, anger, age, ambition, importance, and youth, helping you find the fitting phrase quickly and easily. Perfect for setting the atmosphere, making a point, or helping spin a tale with economy, intelligence, and ingenuity, the vivid comparisons found in this collection will inspire anyone. Love comforteth like sunshine after rain. —William Shakespeare A face like a bucket —Raymond Chandler A man with little learning is like the frog who thinks its puddle a great sea. —Burmese proverb Peace, like charity, begins at home —Franklin Delano Roosevelt You know a dream is like a river ever changing as it flows. —Garth Brooks Fit as a fiddle —John Ray’s Proverbs He's not to be allowed to fall into his grave like an old dog. —Arthur Miller Ring true, like good china. —Sylvia Plath Music yearning like a God in pain —John Keats Busy as a one-legged man in an ass-kicking contest. —Pat Conroy Enduring as mother love —Anonymous

Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced.