The Oxford Handbook of Prehistoric Figurines is the first text to offer a comparative survey of figurines from across the globe, bringing together myriad contemporary research approaches to provide invaluable insights into their function, context, meaning, and use, as well as past thinking on the human body, gender, and identity.

Figurines dating from prehistory have been found across the world but have never before been considered globally. The Oxford Handbook of Prehistoric Figurines is the first book to offer a comparative survey of this kind, bringing together approaches from across the landscape of contemporary research into a definitive resource in the field. The volume is comprehensive, authoritative, and accessible, with dedicated and fully illustrated chapters covering figurines from the Americas, Europe, Africa, Asia, and Australasia and the Pacific laid out by geographical location and written by the foremost scholars in figurine studies; wherever prehistoric figurines are found they have been expertly described and examined in relation to their subject matter, form, function, context, chronology, meaning, and interpretation. Specific themes that are discussed by contributors include, for example, theories of figurine interpretation, meaning in processes and contexts of figurine production, use, destruction and disposal, and the cognitive and social implications of representation. Chronologically, the coverage ranges from the Middle Palaeolithic through to areas and periods where an absence of historical sources renders figurines 'prehistoric' even though they might have been produced in the mid-2nd millennium AD, as in parts of sub-Saharan Africa. The result is a synthesis of invaluable insights into past thinking on the human body, gender, identity, and how the figurines might have been used, either practically, ritually, or even playfully.

This book examines ancient figurines from several world areas to address recurring challenges in the interpretation of prehistoric art. Sometimes figurines from one context are perceived to resemble those from another. Richard G. Lesure asks whether such resemblances play a role in our interpretations. Early interpreters seized on the idea that figurines were recurringly female and constructed the fanciful myth of a primordial Neolithic Goddess. Contemporary practice instead rejects interpretive leaps across contexts. Dr Lesure offers a middle path: a new framework for assessing the relevance of particular comparisons. He develops the argument in case studies that consider figurines from Paleolithic Europe, the Neolithic Near East and Formative Mesoamerica.

Here is a radical new approach to one of the most exciting but poorly understood artefacts from our prehistoric past. Studying their roles and functions in society from past to present day, archaeology students will find this an invaluable asset.

An authoritative guide on gender prehistory for researchers, instructors and students in anthropology, archaeology, and gender studies Provides the most up-to-date, comprehensive coverage of gender archaeology, with an exclusive focus on prehistory Offers critical overviews of developments in the archaeology of gender over the last 30 years, as well as assessments of current trends and prospects for future research Focuses on recent Third Wave approaches to the study of gender in early human societies, challenging heterosexist biases, and investigating the interfaces between gender and status, age, cognition, social memory, performativity, the body, and sexuality Features numerous regional and thematic topics authored by established specialists in the field, with incisive coverage of gender research in prehistoric and protohistoric cultures of Africa, Asia, Europe, the Americas and the Pacific

This is the first thorough account of the nature and the spread of the cult of Cybele, the Great Mother, and the first to present her worship soberly as a religion rather than sensationally as an orgiastic celebration of self-castrated priest-attendants.

The Chalcolithic period in Cyprus has been known since Porphyrios Dikaios’ excavations at Erimi in the 1930s and through the appearance in the antiquities market of illicitly acquired anthropomorphic cruciform figures, often manufactured from picrolite, a soft blue-green stone. The excavations of the settlement and cemetery at Souskiou Laona reported on in this volume paint a very different picture of life on the island during the late 4th and early 3rd millennia BC. Burial practices at other known sites are generally single inhumations in intramural pit graves, only rarely equipped with artifacts. At Souskiou, multiple inhumations were interred in deep rock-cut tombs clustered in extra-mural cemeteries. Although the sites were also subjected to extensive looting, excavations have revealed complex multi-stage burial practices with arrangements of disarticulated and articulated burials accompanied by a rich variety of grave goods. Chief among these are a multitude of cruciform figurines and pendants. This unusual treatment of the dead, which has not been recorded elsewhere in Cyprus, shifts the focus from the individual to the communal, and provides evidence for significant changes involving kinship group links to common ancestors. Excavations at the Laona settlement have furnished evidence suggesting that it functioned as a specialised center for the procurement and manufacture of picrolite during its early phase. The subsequent decline of picrolite production and the earliest known occurrence of new types of ornaments, such as faience beads and copper spiral pendants, attest to important changes involving the transformation of personal and social identities during the first centuries of the 3rd millennium BC, a topic that forms a central theme of this final report on the site.