Narrated by the central character Prue Sarn, whose life is blighted by having a harelip. Only the weaver, Kester Woodseaves, perceives her inner beauty but Prue cannot believe herself worthy of him. Prue is wrongly accused of murder and only one man can save her and take her away to the happiness she believes she can never possess because of her harelip. A forgotten classic set in rural Shropshire at the turn of the 19th century blends a simple, rustic love story with a profound sense of nature's mystic truth. Prue Sarn is an original and appealing heroine of English literature as she triumphs over a physical handicap to win her heart's desire. Skillfully woven through this story is the aura of the English countryside, its flora and fauna anticipating every turn of the plot.

'Brighter and better than Thomas Hardy . . . a marvellous writer' Eloise Millar, Guardian Prudence Sarn was born with her 'precious bane', a cleft palate, for which she is persecuted as a witch by her superstitious neighbours. Hiding from daily ridicule, Prue takes refuge in the wild Shropshire countryside, developing a profound love of nature. Furtively, Prue dreams of being desired, of being kissed on the lips, and harbours a hopeless passion for Kester Woodseaves, the weaver. Prue's brother, Gideon, is engaged to her only friend, but in his ambition for wealth at any cost, he incurs the wrath of his would-be father-in-law whose act of vengeance results in Prue being accused of murder. Only Kester, who has perceived her true worth, can defend her from the wrath of her accusers. Winner of the 1926 Prix Femina Vie Heureuse Prize, Precious Bane is a novel that enchants with its beauty and its timeless truths. 'With the publication of Precious Bane, a substantial readership came to respect Mary Webb's quiet genius . . . When she died at the age of 46, literature lost a voice that promised to speak for Shropshire as poignantly as Thomas Hardy had spoken for Wessex, Emily Bronte for Yorkshire - New York Times, ,

DigiCat Publishing presents to you this special edition of "Precious Bane" by Mary Webb. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

During his brief and sorrowful career William Collins wrote a handful of enduring poems, the most powerful and innovative verse of the Age of Sensibility. This study traces Collins' struggle to assimilate or transcend rather than to be overwhelmed by the influence of his Sublime precursor Milton. Collins' achievement is remarkably diverse, his restless experimentation a manifestation of the quest for imaginative autonomy which is the dominant impulse of all his writing. Authoritatively and eloquently, Sherwin interprets Collins' major works including the "Ode to Evening," the poem in which Milton's presence is most enriching, the "Ode on the Poetical Character," "The Passions," "Popular Superstitions Ode," and the "Ode to Fear," Collins' most haunting and painfully burdened poem. Although Harold Bloom and other prominent theorists of literary influence have recognized that Milton is the chief "daemonic" precursor of the Sensibility poets and the Romantics, Precious Bane represents the first extensive analysis of Milton's power both to daunt and emancipate an aspirant to the Sublime tradition. Bloom writes: "Paul Sherwin's Precious Bane is at once the definitive study of the poetry of William Collins and also the best informed, most critically acute book yet written upon the Miltonic influence on subsequent poetry. Sherwin's deep learning and original insights illuminate Milton and Keats quite as much as they do Collins and the other tragic poets of Sensibility. "Readers who seek rich speculation and advanced knowledge on such associated critical and historical problems as Romanticism, the Sublime mode, the agonies of poetic incarnation, and the relation of psychoanalysis to literature, will find abundant recompense in Sherwin's pages. No one in the future will teach, read or write about Collins, or the burdens of Miltonic influence, without starting from Sherwin's achievement."

Hazel Woodus is a innocent gypsy girl living in the woods in the company of the wounded animals in her rural surroundings. Unfortunately for Hazel, she is not blessed with the presence in her life of a partner who can share both the physical and spiritual aspects of life with her. Her innocent exuberance catches the eye of the kindly minister, Edward Marston, and the cruel squire, Jack Reddin. She eventually marries Edward, but their love remains unconsummated as Edward feels he must preserve her innocence and suppress his own desires. But Hazel has desires of her own which she doesn't understand, and she starts finding herself drawn to Reddin's power and virility.

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