The Postsecular Imagination presents a rich, interdisciplinary study of postsecularism as an affirmational political possibility emerging through the potentials and limits of both secular and religious thought. While secularism and religion can foster inspiration and creativity, they also can be linked with violence, civil war, partition, majoritarianism, and communalism, especially within the framework of the nation-state. Through close readings of novels that engage with animism, Buddhism, Christianity, Hinduism, Islam, and Sikhism, Manav Ratti examines how questions of ethics and the need for faith, awe, wonder, and enchantment can find expression and significance in the wake of such crises. While focusing on Michael Ondaatje and Salman Rushdie, Ratti addresses the work of several other writers as well, including Shauna Singh Baldwin, Mahasweta Devi, Amitav Ghosh, and Allan Sealy. Ratti shows the extent of courage and risk involved in the radical imagination of these postsecular works, examining how writers experiment with and gesture toward the compelling paradoxes of a non-secular secularism and a non-religious religion. Drawing on South Asian Anglophone literatures and postcolonial theory, and situating itself within the most provocative contemporary debates in secularism and religion, The Postsecular Imagination will be important for readers interested in the relations among culture, literature, theory, and politics.

A comprehensive overview of the various ideologies that constitute Zionism, ranging from Marxist-Zionism to National Religious Zionism to that of the far-right Abba Achimeir. This book makes explicit the debt the Zionists owed to French thinkers and European ideologues, notably those associated with the French Revolution and the Enlightenment.

Two novellas and a full-length novel set in the land at the limit of history: “The tales of Nevèrÿon are postmodern sword-and-sorcery” (The Washington Post Book World). In The Tale of Plagues and Carnivals, a disease has come to Nevèrÿon. Men, rich and poor, have been stricken with it—but far fewer women. More and more die, and no one recovers. The illness seems to have first come from the Bridge of Lost Desire, a hangout for prostitutes male and female, but its spread through the city has been terrifying. And it will change Nevèrÿon forever, both its sexual and its political landscape. Written in 1984, The Tale of Plagues and Carnivals is an astute fictionalization of New York City in the first two years of the AIDS crisis. Interwoven with the ancient story are Samuel R. Delany’s modern accounts of what went on in the meanest streets of Gotham during that time. This wholly original novel (the first novel about AIDS from a major American publisher) is presented along with two other stories about mummers, prostitutes, and street people in the fantastic land of Nevèrÿon and its capital, port Kolhari—an ancient city that becomes more and more modern with each story. This ebook features an illustrated biography of Samuel R. Delany including rare images from his early career.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

This interdisciplinary work deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. The book analyzes indigenista writings, the multidisciplinary work of osé Marìa Arguedas, and the anthropological experiments of the nineteen-fifties. It addresses the relevance of transculturation theory in a transnational age and analyzes the emergence of new visual media in a cultural context long defined by the oral-textual divide.