Recovers a crucial moment in the history of the intimate yet often contentious relationship between religion and literature.

With seemingly obsessive regularity, American authors, from the mid-nineteenth century to the present, evoke the sermon at culturally loaded moments in their works, deploying the form to underscore the cultural work they imagine their novels or poetry to perform. Examining this longstanding tradition of “literary preaching,” this book draws on literary applications of design theory to provide a nuanced account of American literature's complex, anxious, and persistent engagement with the Protestant sermon. Analyzing literary preaching as a transhistorical form that simultaneously attracts and repels authors, Smalley demonstrates how major US writers–Ralph Waldo Emerson, Walt Whitman, Nathaniel Hawthorne, Rebecca Harding Davis, William Faulkner, Zora Neale Hurston, and Toni Morrison–have subverted the sermon's predominantly religious content in order to reimagine profound moments of reform in a political, cultural, and aesthetic mode. This study elucidates new lines of literary kinship, offers fresh readings of familiar works, and establishes literary preaching as an undertheorized but significant tradition in American literature.

"A history of the early American novel, focusing on its origins in and relationship with American religion"-- Provided by publisher.

This volume addresses the political contexts in which nineteenth-century American literature was conceived, consumed, and criticized. It shows how a variety of literary genres and forms, such as poetry, drama, fiction, oratory, and nonfiction, engaged with political questions and participated in political debate.

“Witham’s highly readable history of the American sermon strongly bolsters the contention that words change minds and alter the course of events.” —Booklist Pivotal moments in U.S. history are indelibly marked by the sermons of the nation’s greatest orators. From colonial times to the present, the sermon has motivated Americans to fight wars as well as fight for peace. Sermons have provoked the mob mentality of witch hunts and blacklists, but they have also stirred activists in the women’s and civil rights movements. A City Upon a Hill tells the story of these powerful words and how they shaped the destiny of a nation. A City Upon a Hill includes the story of Robert Hunt, the first preacher to brave the dangerous sea voyage to Jamestown; Jonathan Mayhew’s “most seditious sermon ever delivered,” which incited Boston’s Stamp Act riots in 1765; early calls for abolition and “Preacher-Captain” Nat Turner’s bloody slave revolt of 1831; Henry Ward Beecher’s sermon at Fort Sumter on the day of Lincoln’s assassination; tent revivalist/prohibitionist Billy Sunday’s “booze sermon”; the challenging words of Martin Luther King Jr., which inspired the civil rights movement; Billy Graham’s moving speeches as “America’s pastor” and spiritual advisor to multiple U.S. presidents; and Jerry Falwell’s legacy of changing the way America does politics. A City Upon a Hill provides a history of the United States as seen through the lens of the preached words—Protestant, Catholic, and Jewish—that inspired independence, constitutional amendments, and military victories, and also stirred our worst prejudices, selfish materialism, and stubborn divisiveness—all in the name of God.

This volume presents a complex portrait of the United States of America grappling with the trials of national adolescence. Topics include (but are not limited to): the dynamics of language and power, the treachery of memory, the lived experience of racial and economic inequality, the aesthetics of Indigeneity, the radical possibilities of disability, the fluidity of gender and sexuality, the depth and culture-making power of literary genre, the history of poetics, the cult of performance, and the hidden costs of foodways. Taken together, the essays offer a vision of a vibrant, contradictory, and conflicted early US Republic resistant to consensus accountings and poised to inform new and better origin stories for the polity to come.