The origin of the most dangerous gunslinger in the PREACHER universe! Who was the Saint of Killers before he became the murderous, unstoppable gunslinger-with-no-name? Find out in a bloody tale of one man's fall and horrifying rise to become a remorseless agent of death across the slaughterhouse landscape of the Old West.

Reverend Jesse Custer, an old Texas minister who is joined with a spiritual entity called Genesis and wields the Word of God, revisits terrors of his childhood on his way to find God.

Naked City concludes as Jesse, Cassidy and Tulip the serial killer, and the secret life of supercop Detective Bridges sees the light of day...

In this now-legendary graphic novel series that serves as the inspiration for the hit AMC television series, Jesse Custer was just a small-town preacher in Texas...until his congregation was flattened by powers beyond his control and the preacher became imbued with abilities beyond anyone's understanding. Now possessed by Genesis--the unholy offspring of an angel and demon--Jesse holds Word of God, an ability to command anyone or anything with a mere utterance. And he'll use this power to hold the Lord accountable for the people He has forsaken. From the ashes of a small-town church to the bright lights of New York City to the backwoods of Louisiana, Jesse Custer cuts a righteous path across the soul of America in his quest for the divine--an effort that will be met by every evil that Heaven and Earth can assemble. Joined by his gun-toting girlfriend, Tulip, and the hard-drinking Irish vampire Cassidy, Jesse will stop at nothing to fulfill his quest to find God. The powerhouse creative team of Garth Ennis and Steve Dillon bring readers on a violent and riotous journey across the country in this award-winning Vertigo series, beginning with Preacher: The 25th Anniversary Omnibus Vol. 1!

Preacher Jesse Custer continues his dark journey to find God, accompanied by his gun-toting girlfriend and Irish vampire buddy. In the continuing saga of the bizarre adventures of faithless Texas preacher Jesse Custer, Jesse, along with his girlfriend Tulip and their friend Cassidy, the Irish vampire, head down South in hopes of recovering from their encounter with the forces of the Grail. But during their planned downtime Jesse must face off against an enraged Arseface, who seeks toavenge his father’s death, while Tulip deals with Cassidy’s startling declaration of love for her. Also includes a special story spotlighting the Saint of Killers and the story of Cassidy’s first and only encounter with his fellow vampires.

Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.