Sridhar Verma at the age of twenty-two lived a perfect life which comes crashing down for him in a moment and he realizes to gain what he has lost he has to fight traditions and social norms. Maheswari Verma the matriarch of the Verma family is proud of her legacy as a freedom fighter's sister. But her principles are questioned at every step when a girl walks into her family like a storm opening the secrets of the past. Suman Rajput the girl who wanted to fly .But the path she chooses to get wings lands her in a cage from where it looks like there is no opening and that cage is the truth of her life. Sudhir Verma the second son of Verma family carries a fire underneath his calm demeanor, a fire that desperately needs a direction. Will Sridhar succeed in his battle, Will Maheswari stand by her principles, Will Suman get her wings, Will Sudhir get the direction, most importantly whether the Verma family stand together against the odds to emerge victorious, to know read Seven Vows set in mid-nineties in the pink city of Jaipur. The tale of love, passion, compassion and above all that celebrates humanity.

As the title (Love Deception Life) itself exemplifies that the entire novel deals with the philosophy of life. It can be called as an autobiographical work but at the same time it carries myriad lofty concepts. The writer throughout the novel expresses his life’s experiences whether it is love, friendship, family or whatever came in his journey yet. He vividly described his childhood days, family issues, college life and of course several other incidence of his social life. Perhaps, coping with the life’s complexities at such a tender age compelled the writer to convert his emotions into words, resulting in a beautiful piece of work. Which is why the novel depicts the reality of life - the ugly truth. Nevertheless, the ideas and support of his family, friends and of course the Almighty bestowed him to bring up the contented work. After reading the novel, a reader can find several facts of life- the realism (or Pragmatism). One can relate the story to one’s own life and its incidence or experiences. Simultaneously, a reader can grasp the literal truths of life. The entire novel is helpful in guiding a typical reader to be in the real world rather than in virtual world. Furthermore, this book is a better way to lessen the stereotypes. The novel ends with an optimistic view leading the reader to an affirmative outlook. No doubt the entire book is quite enthralling and fun to read.

Through an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity.