Prairie Skyscraper traces the history and evolution of Wright's recently restored nineteen-story-skyscraper masterwork, which takes its place beside the S.C. Johnson Wax Research Tower as one of Wright's only two vertical structures-and, at 221 feet tall-his largest.

Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also of boldness, scale, ingenuity, and daring. As a phenomenon born in late nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground examples of more evincing modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together a group of renowned scholars to address the medievalist skyscraper—from flying buttresses to dizzying spires; from the Chicago Tribune Tower to the Woolworth Building in Manhattan. Drawing on archival evidence and period texts to uncover the ways in which patrons and architects came to understand the Gothic as a historic style, the authors explore what the appearance of Gothic forms on radically new buildings meant urbanistically, architecturally, and socially, not only for those who were involved in the actual conceptualization and execution of the projects but also for the critics and the general public who saw the buildings take shape. Contributors: Lisa Reilly on the Gothic skyscraper ● Kevin Murphy on the Trinity and U.S. Realty Buildings ● Gail Fenske on the Woolworth Building ● Joanna Merwood-Salisbury on the Chicago School ● Katherine M. Solomonson on the Tribune Tower ● Carrie Albee on Atlanta City Hall ● Anke Koeth on the Cathedral of Learning ● Christine G. O'Malley on the American Radiator Building

'Frank Lloyd wright in New York: The Plaza Years, 1954-1959', examines the momentous five-year period when one of the world's greatest architects and one of the world's greatest cities coexisted. Authors Jane Hession and Debra Prickel bring each of these unequalled characters to life, exploring the fascinating contradiction between Wright's often-voiced disdain of New York and his pride and pleasure of living in one of the city's greatest landmarks: the Plaza Hotel. From his suite, or 'Taliesin the Third', as it became known, Wright supervised construction of the Guggenheim, sparred with the New York press, and received many famous vistitors such as Marilyn Monroe and Arthur Miller. home...;Michael Carroll, a renowned astronomical and paleo artist for more than twenty years, has done work for NASA and the Jet Propulsion Laboratory. His art has appeared in many magazines, including 'Time', 'National Geographic', 'Sky & Telescope', and ' Asimov's Science Fiction'. One of his paintings flew aboard MIR; another is resting at the bottom of the Atlantic, aboard Russia's ill-fated Mars 96 spacecraft. nd development without constraining

This history of skyscrapers examines how these tall buildings affected the cityscape and the people who worked in, lived in, and visited them. Much of the focus is rightly on the architects who had the vision to design and build America's skyscrapers, but attention is also given to the steelworkers who built them, the financiers who put up the money, and the daredevils who attempt to "conquer" them in some inexplicable pursuit of fame. The impact of the skyscraper on popular culture, particularly film and literature, is also explored.

Bartlesville was founded in 1897 in the oil-rich northeast corner of a state that was soon to become the most prosperous oil-producing region in the world. Its architectural heritage prior to World War II reflected its citizens' European and East Coast tastes for classical, large-scale buildings typical of the era. Although symbols of their time, as well as the prosperity of their owners, their designs slightly pale in comparison to the unique modernistic styles that began appearing after 1940. Frank Lloyd Wright (1867-1959) and Bruce Goff (1904-1982) were perhaps the most famous architects working in and around Bartlesville in the second half of the century. As harbingers of a new type of "mid-century modernism," their designs were notable alongside those by Hellmuth, Obata and Kassabaum (founded in 1955), Taliesin Associated Architects (founded in 1959), Clifford May (1908-1989), and Thomas McCrory (1925-). Building Bartlesville: 1945-2000 documents the architectural richness of this "City of Legends" and includes photographs, drawings, and documents in an excellent companion for those interested in both Oklahoma history and modern architecture.

The Manhattan skyline is one of the great wonders of the modern world. But how and why did it form? Much has been written about the city's architecture and its general history, but little work has explored the economic forces that created the skyline. In Building the Skyline, Jason Barr chronicles the economic history of the Manhattan skyline. In the process, he debunks some widely held misconceptions about the city's history. Starting with Manhattan's natural and geological history, Barr moves on to how these formations influenced early land use and the development of neighborhoods, including the dense tenement neighborhoods of Five Points and the Lower East Side, and how these early decisions eventually impacted the location of skyscrapers built during the Skyscraper Revolution at the end of the 19th century. Barr then explores the economic history of skyscrapers and the skyline, investigating the reasons for their heights, frequencies, locations, and shapes. He discusses why skyscrapers emerged downtown and why they appeared three miles to the north in midtown-but not in between the two areas. Contrary to popular belief, this was not due to the depths of Manhattan's bedrock, nor the presence of Grand Central Station. Rather, midtown's emergence was a response to the economic and demographic forces that were taking place north of 14th Street after the Civil War. Building the Skyline also presents the first rigorous investigation of the causes of the building boom during the Roaring Twenties. Contrary to conventional wisdom, the boom was largely a rational response to the economic growth of the nation and city. The last chapter investigates the value of Manhattan Island and the relationship between skyscrapers and land prices. Finally, an Epilogue offers policy recommendations for a resilient and robust future skyline.

A study of the fiction of five early modern novelists -- Frank Norris, Hamlin Garland, Willa Cather, Sherwood Anderson, and Sinclair Lewis -- who reflect the conflicting values of a western past and an urban-industrial present.