The author presents the fundamental book of kimbanda Exu. Featuring legends and mythological origins of the ritual, kimbanda organization, the Povos and their leaders, some magic symbols, the kimbanda offerings, rituals and ceremonies principal, explaining the degrees of initiation in this kind of primitive magic.

Quimbanda, the Cult of Exu and Pomba Gira, is a Shamanic Witchcraft Tradition practiced in Brazil. Sometimes called Macumba or even referred to as Satanism and Devil Worship, it incorporates elements of African and South-American Indian believes and religion as well as Medieval European Witchcraft. This new edition of Na Gira do Exu presents over 330 Pontos Cantados (songs and invocations) and more then 100 rare Pontos Riscados (ritual sigils and drawings) for Exu and Pomba Gira, the Spirits of Brazilian Quimbanda, and looks at the roots and historic development of this cult, the role of the initiate, ceremonies, magical workings and the hierarchy of the spirits of this cult.

If you thought this author had written all over kimbanda in his first book, in this amazes us with much more information on this type of worship Exu and Entities of Afro-Brazilian origin, where we about ideas and knowledge also provide kimbanda Entities themselves expressed in various mediums, using historical data sources and bibliography. The concept of God in the kimbanda and the concept of Entity - The Dress and the why of it - The "Cavalo" of kimbanda - Types kimbanda mediums - Kingdom and People (Entities) of Lyre - The Realm of Darkness (Kiumbanda) - the Organization of Exu (demystifying demons) - the Pontos Sung (its function and purpose) - "Povo dos Infernos", "Povo dos Cabarets", "Povo dos Malandros", "Povo Cigano", "Povo do Oriente", with deep data about some Exu and Pombagira that integrate and their functions - the Trident (meaning) - the Pade - the Tabatinga - Cowries of Exu.

Originating in India, the Gypsies arrived in Europe around the 14th century, spreading not only across the entirety of the continent but also immigrating to the Americas. The first Gypsy migration included farmworkers, blacksmiths, and mercenary soldiers, as well as musicians, fortune-tellers, and entertainers. At first, they were generally welcome as an interesting diversion to the dull routine of that period. Soon, however, they attracted the antagonism of the governing powers, as they have continually done throughout the following centuries. The A to Z of the Gypsies (Romanies) seeks to end such prejudice by clarifying the facts about this nomadic people. Through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on significant persons, places, events, institutions, and aspects of culture, society, economy, and politics, the history of the Gypsies and their culture is told.

In Spirit Song: Afro-Brazilian Religious Music and Boundaries, Marc Gidal investigates how and why a multi-faith community in southern Brazil utilizes music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the ways music reinforces, bridges, or blurs boundaries, whether for personal, social, spiritual, or political purposes. Gidal focuses on spirit-mediumship rituals and their musical accompaniment, exploring how the Afro-gaucho religious community employs music and rituals to variously promote innovation and egalitarianism in Umbanda and Quimbanda, while it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations view the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. These rituals come to life through illustrative video and audio examples on the book's companion website. The first book in English to focus on music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.

There is evidence that the global COVID-19 crisis is exacerbating existing inequalities and marginalization of vulnerable groups, including exceptional learners, stateless, street, migrant, and refugee children and youths, and the limited use of frameworks of emergency planning with and for marginalized and at-risk individuals. These challenges are multi-sectoral and intersecting, and they require multi- and interdisciplinary interventions to inform inclusive responses. These issues include being at a greater risk of excluding vulnerable learners from gaining access to equitable education (online/remote and blended education). Intersecting forms of discrimination such as gender, socioeconomic and legal status further exacerbate the problem. This has alerted us to examine the living conditions of marginalized and vulnerable populations around the globe, and to reveal their experiences, problems, and needs from an educational perspective, thus bringing insights into their vulnerabilities during the pandemic.