Mary Chase Perry Stratton and Horace J. Caulkins founded Detroit’s Pewabic Pottery in 1903 during the height of the Arts and Crafts Movement. Now celebrating its centennial, Pewabic is one of the few historic art potteries still operating in the United States. The pottery remains an integral part of artistic life in the Detroit area; its presence in the city is underscored by such installations as the modern tile murals in Detroit’s People Mover Stations, the fairy tale friezes around fireplaces in area schools, and mosaic-tiled ceilings in museums and churches. Fired Magic is the story of a child discovering the beauty of Pewabic tile installations in the metropolitan Detroit area. Readers accompany the main character Angie on a tour of architecturally significant historic and contemporary tiled floors, ceilings, fountains, fireplaces, and other tile installations that grace the city and its environs—such as Belle Isle Park, the Detroit Institute of Arts, Cranbrook Educational Community, and the Detroit Zoo. Readers also join Angie in taking a class at Pewabic Pottery, where she learns to make tiles and other clay objects. The book provides a glossary of ceramic terms and a comprehensive list of Pewabic installations around the United States so that readers may discover the beauty of Pewabic tile for themselves. This is the second in a series of books celebrating the cultural heritage of Detroit and the Great Lakes. Like the first in the series, The Outdoor Museum: The Magic of Michigan’s Marshall M. Fredericks (Wayne State University Press, 2001), this book is written for students from age 8 and above; however, it is enjoyable for art lovers of all ages. Through its inviting tale and rich illustrations, Fired Magic relates the history of Pewabic Pottery from its beginnings in the Arts and Crafts Movement and furthers the pottery’s present-day mission to support, educate, and foster appreciation for ceramic art.

Beginning in the sixteenth century when Portuguese traders started importing blue and white porcelain to Europe, Chinese ceramics manufacturers produced goods specifically for export to the West. The industry flourished through the early twentieth century as the market for fine porcelain expanded in Europe and the Americas. Among the Peabody Essex Museum's founders in 1799 were sea captains and supercargoes involved in extensive trade with Asia, and many of the remarkable examples of export wares they brought back provided a foundation for the Museum's world-renowned collection of Chinese export ceramics. Written by William R. Sargent, a leading expert in the field, Treasures of Chinese Export Ceramics is one of the most authoritative sources on this topic. Its scholarly entries on 287 representative objects that date from the fifteenth to the twentieth century are divided into sections by type of ware. Although these examples only hint at the Museum's vast holding, together they encompass its broad range of Chinese export ceramics. An essay on Jingdezhen, the "Porcelain City," by Rose Kerr, a glossary of ceramics terminology, and appendix on armorials, and an extensive bibliography all contribute to making this an invaluable resource.

'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

Over 650 color photos present the Treasure Craft and Pottery Craft ceramic collectibles made from the late 1940s until 1995, including Disneyana items, over 200 novelty cookie jars, Hawaiiana, figurines, and dinnerware lines. Among the wares displayed are works by notable sculptors Ray Murray, Don Winton, and Robert Maxwell. Information on manufacturers' marks, look-alike products, and values in the captions are included.

A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.

In paintings as pretty as the porcelain they depict, this gift book celebrates one of the finest teacup collections in the world: the 300-piece archive of the Clark Art Institute, which dates back to the eighteenth century and represents coveted designs of the day from Europe and China. Artist Molly Hatch, with exclusive access to this largely unviewed collection, pored over the details of each cup to create this visual treat. Including page after page of paintings of the cups, and led off by introductory essays, this is both an intriguing reflection on the art of collecting and an utterly charming gift for tea drinkers and teacup collectors.