Walt Whitman’s meditation on time is the undercurrent running through Postscripts, a series of reflections on finding one’s place in the endless chain of time. In linked essays, Robert Root ranges across American terrains and landscapes including locales as varied as Walden Pond and Mesa Verde, the mountains of Montana and the coastline of Maine, Great Lakes shorelines and Manhattan on the first day of the war with Iraq. Rich in “all that retrospection,” Postscripts chronicles moments of intimacy and arrival in the natural world while also charting intersections of natural, cultural, and personal history. Whether revisiting the first European settlement in Nova Scotia or seeking out the sites of E. B. White’s life and literature, exploring the only old-growth forest in lower Michigan or shifting perceptions at the birth of a granddaughter, Root offers readers a new perspective on the relationship between time and place, time and timelessness, history and personal history. If the past is prologue, his book suggests, the present is postscript.

Proving himself yet again a master of every form, Barth conquers in his latest the ruminative short essay—“​​jeux d’esprits,” as Barth describes them. These mostly one-page tidbits pay homage to Barth’s literary influences while retaining his trademark self-consciousness and willingness to play.

India and South Africa, two states that bookended the process of twentieth-century decolonization, punched above their weight in global politics in their initial years of liberation. Postscripts on Independence analyses and compares the making of foreign policy ideas, identities, and institutions of postcolonial India and South Africa. It shows how both countries have responded to the contradictory demands of their freedom struggles against colonialism and pragmatic challenges of international politics. Vineet Thakur argues that the countries’ geopolitical positioning in South Asia and southern Africa make them regional powers, with similar sets of problems and prospects, as both continue to grapple with the idea of maintaining regional and/or continental hegemony. By undertaking a comparative analysis, Thakur explores a framework to understand the foreign policymaking fears, aspirations, and international behaviour of these two nation states.

Dave Simms is a young black marine stationed at the Da Nang Air Base during the Vietnam War. Working as a supply clerk, he fights not only the Viet Cong but also everyday boredom and the absurdity of military life. In the face of those challenges, his search for personal identity leads him through a drunken and reefer-smoking year of ludicrous encounters. Simms finds himself in perilous surroundings and yet is protected from the worst of events in many waysbut not always. The horrors of war reach even him, leaving a mark that not even alcohol fueled nights can erase. Simms rarely meets the enemy, but his worst fears arise more from what the marines might do to him. The preposterous, bloodthirsty mind-set of the Marine Corps feeds his hatred for them and his determination to leave Vietnam not only alive and in one piece but also in his right minda goal that might prove impossible to achieve. In this military novel, a young marine serving in Vietnam struggles to stay alive and keep his sanity in the face of the brutality of war.

The title of the book is self-explanatory…. As I try to include some forgotten people, places, school college, teachers, events, my dear family, relatives and friends who touched and impacted our lives and left an indelible impression on us….we didn’t realize their true worth and took many things for granted as we thought that was the way of life in our sheltered world of simplicity and innocence .