If you are like most people, you’re not sure what Postmodernism is. And if this were like most books on the subject, it probably wouldn’t tell you. Besides what a few grumpy critics claim, Postmodernism is not a bunch of meaningless intellectual mind games. On the contrary, it is a reaction to the most profound spiritual and philosophical crisis of our time – the failure of the Enlightenment. Jim Powell takes the position that Postmodernism is a series of “maps” that help people find their way through a changing world. Postmodernism For Beginners features the thoughts of Foucault on power and knowledge, Jameson on mapping the postmodern, Baudrillard on the media, Harvey on time-space compression, Derrida on deconstruction and Deleuze and Guattari on rhizomes. The book also discusses postmodern artifacts such as Madonna, cyberpunk, Buddhist ecology, and teledildonics.

Adopting the role of tour guide, award-winning writer Kevin Hart leads the reader through the pitfalls, conundrums and complexities that characterize postmodernism, while providing an overview of the many different approaches (philosophical, cultural, literary…) to the subject. All the major thinkers are introduced – from Derrida to Blanchot, Irigaray to Foucault, and more besides – while the book is unique among introductory guides in its consideration of the role of religion in a postmodern world.

In 1966, Jacques Derrida gave a lecture at Johns Hopkins University that cast the entire history of Western Philosophy into doubt. The following year, Derrida published three brilliant but mystifying books that convinced the pollsters that he was the most important philosopher of the late 20th Century. Unfortunately, nobody was sure whether the intellectual movement that he spawned – Deconstruction – advanced philosophy or murdered it. The truth? – Derrida is one of those annoying geniuses you can take a class on, read half-a-dozen books by and still have no idea what he’s talking about. Derrida’s ‘writing’ – confusing doesn’t begin to describe it (it’s like he’s pulling the rug out from under the rug that he pulled out from under philosophy.) But beneath the confusion, like the heartbeat of a bird in your hand, you can feel Derrida’s electric genius. It draws you to it; you want to understand it... but it’s so confusing. What you need, Ducky, is Derrida For Beginners by James Powell! Jim Powell’s Derrida For Beginners is the clearest explanation of Derrida and deconstruction presently available in our solar system. Powell guides us through blindingly obscure texts like Of Grammatology (Derrida’s deconstruction of Saussure, Lévi Strauss, and Rousseau), “Différance” (his essay on language and life), Dissemination (his dismantling of Plato, his rap on Mallarmé), and Derrida’s other masterpieces (the mere titles can make strong men tremble in terror – Glas, Signéponge/Signsponge, The Post Card, and Specters of Marx.) Readers will learn the coolest Derridian buzzwords (e.g., intertextuality, binary oppositions, hymen, sous rature, arche-writing, phallogocentrism), the high-and-low lights of deconstruction’s history (including the DeMan controvercy), and the various criticisms of Derrida and deconstruction, including Camille Paglia’s objection that America, the rock-n-roll nation, isn’t formal enough to need deconstruction. The master, however, begs to disagree: “America is Deconstruction” -Jacques Derrida

“What is Structuralism? How is it possible? And once the structures of Structuralism have been discovered, how is Poststructuralism possible?” Thus begins Don Palmer’s Structuralism and Poststructuralism For Beginners. If Nobel or Pulitzer ever made a prize for making the most difficult philosophers and ideas accessible to the greatest number of people, one of the leading candidates would certainly be Professor Don Palmer. From his Sartre For Beginners and Kierkegaard For Beginners to his Looking at Philosophy, author/illustrator Don Palmer has the magic touch when it comes to translating the most brutally difficult ideas into language and images that non-specialists can understand. “In its less dramatic versions,” writes Palme, “structuralism is just a method of studying language, society, and the works of artists and novelists. But in its most exuberant form, it is a philosophy, an overall worldview that provides an account of reality and knowledge.” Poststructuralism is a loosely knit intellectual movement, comprised mainly of ex-structuralists, who either became dissatisfied with the theory or felt they could improve it. Structuralism and Poststructuralism For Beginners is an illustrated tour through the mysterious landscape of Structuralism and Poststructuralism. The book’s starting point is the linguistic theory of Ferdinand de Sausser. The book moves on to the anthropologist and literary critic Claude Lévi-Strauss; the semiologost and literary critic Roland Barthes; the Marxist philosopher Louis Althusser; the psychoanalyst Jacques Lacan; the deconstructionist Jacques Derrida. Learn among other things, why structuralists say Reality is composed of not Things, but Relationships Every “object” is both a presence and an absence The total system is present in each of its parts The parts are more real than the whole The book concludes by examining the postmodern obsession with language and with the radical claim of the disappearance of the individual – obsessions that unite the work of all these theorists.

The documentary comic books of the For Beginners series deal with complex and serious subjects. They attempt to untimidate and uncomplicate the great ideas and work of great thinkers. The movements and concepts dealt with are placed in their historical, political and intellectual contexts. The books are painstakingly researched, humourouly written and enlivened with classic comic-strip illustrations, photographs, paintings, etc. The range of subjects covered is truly vast and varied Malcom X and the New Age guru Castenanda, Shakespeare and Foucault, Jewish Holocaust and Arab and Israel, Structuralism and Biology.

Have you heard the terms structuralism and deconstruction and postmodernism but aren’t really sure what they mean? Have you taken a whole course on literary criticism but are still feeling lost? Here’s the book you need to sort it all out—and enjoy doing so! In Literary Theory For Beginners, Mary Klages takes you into her classroom, cuts through the jargon, and explains the ABCs (and the DEFs as well) in terms you can get your head around. Her breadth of knowledge, her unique skills as a teacher, and the delightful illustrations of Frank Reynoso help us understand why literature matters, how it affects us, and how it reflects history, culture, and diversity. Here are ways of thinking about literature—not just reading it—methods of study and frameworks of interpretation from classical humanism all the way up to psychoanalysis, gender and queer theory, race, postcolonialism, and, yes, postmodernism With wit and wisdom, Klages takes on the two most frequently asked questions about literature and makes it all fun: What does the work MEAN? (What is the deeper, hidden, or symbolic meaning? Did the author intend all these meanings? Are any and all meanings present in the text? Are all meanings equally valid?) What does the work DO? (Why is literature important? What effect does it have on the reader? How can literature be a force for social change?) So sit back, relax, and take it all in!

Despite the reshifting of values that has affected every aspect of life in the 21st century, William Shakespeare still stands as the greatest writer the English language has ever produced. Even so, many people have never read him. If you have never read “the Bard”—or if you’ve tried and given up in frustration—you need Shakespeare For Beginners. Author Brandon Toropov opens with the observation that Shakespeare’s genius is not in his (or England’s) history, it’s in his words, most notably, his plays—in his brilliant stories, unforgettable characters, and the impossible beauty of his language. So, Shakespeare For Beginners skips the historical foreplay and goes straight to Shakespeare’s plays. The book offers clear, concise descriptions and plot summaries of each play; it lists key phrases and important themes, explains the main ideas behind each work and features excerpt of important passages (with explanatory notes on tough words.) And it is the only ‘entry level’ book available outside Great Britain that covers all of Shakespeare’s plays.