"Once upon a time, everything was understood through stories....The philosopher Friedrich Nietzsche once said that 'if we possess our why of life we can put up with almost any how.'...Stories always dealt with the why' questions. The answers they gave did not have to be literally true; they only had to satisfy people's curiosity by providing an answer, less for the mind than for the soul." --From Chapter 1 Each of us has a story to tell that is uniquely personal and profoundly meaningful. The goal of the modern therapist is to help clients probe deeply enough to find their own voice, describe their experiences, and create a narrative in which a life story takes shape and makes sense. Emphasizing the vital connections among personal experience, family, and community, the authors of this provocative new book explore the role of narrative therapy within the context of a postmodern culture. They employ the interactional dynamics of family therapy to demonstrate how to help people deconstruct oppressive and debilitating perspectives, replace them with liberating and legitimizing stories, and develop a framework of meaning and direction for more intentional, more fulfilling lives. Blending scientific theory with literary aesthetics, Story Re-Visions presents a comprehensive collection of specific narrative therapy techniques, inventions, interviewing guidelines, and therapeutic questions. The book examines the development of the postmodern phenomenon, tracing its evolution across time and disciplines. It discusses paradigmatic traditions, the meaning of modernism, and the ways in which the ancient, binding narratives have lost their power to inspire uncritical assent. Methods for doing narrative therapy in a destoried world are presented, with suggestions for meeting the challenges of postmodern value systems and ethical dilemmas. Numerous case examples and dialogues illustrate ways to help people become authors of their own stories, and each of the last four chapters concludes with an appendix that provides additional information for the practicing clinician. Detailing ways in which a narrative framework enhances family therapy, the authors describe how the therapist and client may act together as revisionary editors, and present techniques for keeping the story re-vision alive, well, and in charge. Finally, the book examines re-vision techniques for clinical training and supervision settings, with discussion of how therapists may help one another create stories about their clients, as well as themselves. Accessibly written and profoundly enlightening, Story Re-Visions is ideal for family therapists, psychologists, psychiatrists, and anyone else interested in doing therapy from a narrative stance. It is also valuable as supplemental reading for courses in family therapy and other psychotherapeutic disciplines.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

The expression Subaltern had been used by Italian Marxist Antonio Gramsci in his celebrated notes on PRISON DIARY but it is interpreted in a different way in this book. The concept includes caste, color, gender and class. It is not economic category but a cultural one. It is different from Marxist interpretation of the term Proletariat. Marxist Morality is class bound: Subaltern morality is not class bound. An attempt to deconstruct the age old Egalitarian Morality, the author proposes morality of those who are besides the circle and suggests a postmodern vision to understand subaltern morality. Offering challenging insights into conception of Global justice, the author subscribes to Aristotelian contention of distributive justice where equals are treated equally and unequal are treated unequally.

Reflecting on the relationship between memory, power, and national identity, this book examines the complex reactions of the people of the Caribbean to the 500th anniversary of Columbus's discovery of the New World. Viala analyzes the ways in which Columbus became a reservoir of metaphors to confront anxieties of the present with myths of the past.

Archaeology is intimately connected to the modern regime of vision. A concern with optics was fundamental to the Scientific Revolution, and informed the moral theories of the Enlightenment. And from its inception, archaeology was concerned with practices of depiction and classification that were profoundly scopic in character. Drawing on both the visual arts and the depictive practices of the sciences, employing conventionalised forms of illustration, photography, and spatial technologies, archaeology presents a paradigm of visualised knowledge. However, a number of thinkers from Jean-Paul Sartre onwards have cautioned that vision presents at once a partial and a politicised way of apprehending the world. In this volume, authors from archaeology and other disciplines address the problems that face the study of the past in an era in which realist modes of representation and the philosophies in which they are grounded in are increasingly open to question.

William Desmond's original and creative work in metaphysics is attracting more and more attention from philosophers of religion. Putting Desmond in conversation with John D. Caputo, an important philosopher of religion from the Continental tradition, Christopher Ben Simpson casts new light on Desmond's complex, multifaceted, and nuanced thought. The comparative approach allows Simpson to get at the core of recent debates in the philosophy of religion. He develops a rich understanding of how ethics and religion are informed by metaphysics, and contrasts this approach to the decidedly anti-metaphysical stance in Continental philosophy. Religion, Metaphysics, and the Postmodern presents a systematic analysis of Desmond's thought as it advances work on Caputo's thinking and on the philosophy of religion.