The World Health Organisation estimates that, by 2030, six out of every ten people in the world will live in a city. But what does it mean to inhabit the city in the twenty-first century? Posthuman Urbanism evaluates the relevance and usefulness of posthuman theory to understanding the urban subject and its conditions of possibility. It argues that contemporary science and technology is radically changing the way that we understand our bodies and that understanding ourselves as 'posthuman' offers new insights into urban inequalities. By analysing the relationship between the biological sciences and cities from the nineteenth-century onward as it is expressed in architecture, popular culture and case studies of contemporary insurgent practices, a case is made for posthuman urbanism as a significant concept for changing the meaning of urban space. It answers the question of how we can change ourselves to change the way we live with others, both human and non-human, in a rapidly urbanising world.

The Routledge Companion to Urban Imaginaries delves into examples of urban imaginaries across multiple media and geographies: from new visions of smart, eco, and resilient cities to urban dystopias in popular culture; from architectural renderings of starchitecture and luxury living to performative activism for new spatial justice; and from speculative experiments in urban planning, fiction, and photography to augmented urban realities in crowd-mapping and mobile apps. The volume brings various global perspectives together and into close dialogue to offer a broad, interdisciplinary, and critical overview of the current state of research on urban imaginaries. Questioning the politics of urban imagination, the companion gives particular attention to the role that urban imaginaries play in shaping the future of urban societies, communities, and built environments. Throughout the companion, issues of power, resistance, and uneven geographical development remain central. Adopting a transnational perspective, the volume challenges research on urban imaginaries from the perspective of globalization and postcolonial studies, inviting critical reconsiderations of urbanism in its diverse current forms and definitions. In the process, the companion explores issues of Western-centrism in urban research and design, and accommodates current attempts to radically rethink urban form and experience. This is an essential resource for scholars and graduate researchers in the fields of urban planning and architecture; art, media, and cultural studies; film, visual, and literary studies; sociology and political science; geography; and anthropology.

Why should urban planning in our time be obsessed with the issue of sustainability? Or differently put, is sustainability really as desirable and possible as its proponents in urban planning (and other related fields like economics, political science, environmental studies, architecture, and so on) would like us to believe? Contrary to the conventional wisdom held by many since the modern era, the concern with sustainability has been much exaggerated and distorted, to the point that it is fast becoming a new intellectual fad, so that its dark sides have been unwarrantedly ignored or downgraded. This is not to say, however, that the literature on sustainability in urban planning (and other related fields) hitherto existing in history has been full of nonsense. Indeed, on the contrary, much can be learned from different theoretical approaches in the literature. The important point to remember here, however, is that this book provides an alternative (better) way to understand the nature of sustainability in urban planning (and other related fields), which learns from different sides of the debate but in the end transcends them all. The urgency of this inquiry should not be underestimated, as it concerns not only urban planning (as a case study here) but also other highly related yet very serious challenges in our time (e.g., ecological, economic, demographic, technological, moral, spiritual, political, and the like). Therefore, if true, this seminal view will fundamentally change the way that we think about the issue of sustainability, with its enormous implications not only for understanding the future of urban planning, in a small sense—but also for predicting the relevance of sustainability in relation to the entire domain of human knowledge for the human future and what I originally called its “post-human” fate, in a broad sense.

Available open access digitally under CC-BY-NC-ND licence Transhumanism is a philosophy which advocates for the use of technology to radically enhance human capacities. This book interrogates the promises of transhumanism, arguing that it is deeply entwined with capitalist ideology. In an era of escalating crisis and soaring inequality, it casts doubt on a utopian techno-capitalist narrative of unending progress. In critiquing the transhumanist project, the book offers an alternative ethical framework for the future of life on the planet. As the debates around the advancement of AI and corporate-led digital technologies intensify, this is an important read for academics as well as policy makers .

This book develops and demonstrates an interdisciplinary method that reads literary works as a way of thinking about the city. Literary works do not only provide reflections of the city – depictions of the city as an aesthetically compelling setting – but the literary reflection of the city also offers a critical reflection on the city. How can spatial difference be conceived in cities that are changing beyond the form of the classical modern metropolis of the early 20th century? How can one think of the relation between individual urban subjects and their urban environment, when neither spaces nor discourses of the city provide them with an answer to the question where they might "belong"? How does the human body interact with its urban surroundings, and how should technological mediations be thought of? This book approaches these questions through analysing literary texts, focusing on concepts like heterotopia, non-place and the posthuman. This book will be of interest to interdisciplinary scholars and students of the city, particularly in the fields of Urban Studies, Literary Studies, Geography, and Architecture.

The Posthuman is the new paradigm of architecture. Encompassing related topics such as the post-Anthropocene, more-than-human, non-human, trans-human, anti-human and meta-human, this AD presents a synthesis of the architectural Posthuman. Proliferating and diversifying, the Posthuman is now as planetary as it is everyday, and as disruptive, contested and contradictory as it is sublime. From the detail to the interplanetary, and from real and fictional designs and spaces to more proleptic universe-building futures, the issue describes and speculates on these spectacular and shocking new species. It envisions the Posthuman through the array of emerging technologies, and features original contributions from academics, professionals, design studios and related disciplines and domains. These new spaces include the full electromagnetic spectrum and present new entanglements of Posthuman theories and technologies. Contributors: Mario Carpo; Paul Dobraszczyk; Alberto Fernandez; Ariane Harrison; Sandra Häuplik-Meusburger and Olga Bannova; Steven Hutt; Xavier de Kestelier, Levent Ozruh and Jonathan Irwan; Sylvia Lavin; Jacopo Leveratto; Tyson Hosmer, Roberto Bottazzi and Mollie Claypool; Colbey Reid and Dennis Weiss; Andrew Witt; and Brent Sherwood. Featured designers and architects: Blue Origin, Christian Rex van Minnen, Harrison Atelier, and Hassell.

This volume presents eco-phenomenology’s role in pandemics and post-pandemics and takes up the task of eco-phenomenology as a unified project by not focusing on naturalizing phenomenology but rather exploring the full range of possibilities - such as creative acts and self-individualization – in dealing with ecological threats. Eco-phenomenological developments are based on the main concepts of “phenomenology of life”, as created by Anna-Teresa Tymieniecka. This volume also uniquely explores the Covid-19 pandemic as a phenomenologically interpreted and ecological phenomenon. It appeals to students and researchers working in the fields of phenomenology and environmental philosophy.