An unfiltered exploration of United States history, from Jamestown to the War on Terrorism, a tracing of morality and mortality, presumption and prejudice and the shifting shapes of the American landscape.

Renowned Hebrew Bible scholar Konrad Schmid here provides a comprehensive discussion of the task, history, and conditions of the history of Old Testament literature. He carefully considers the dynamics of language, orality, literacy, and the range of social and political conditions that shaped Israel's writing at each period of the people's history and explores the significance of the transformation of various writings into "Scripture" and a biblical canon.

Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.

After its heyday in the late nineteenth and early twentieth century, naturalism, a genre that typically depicts human beings as the product of biological and environmental forces over which they have little control, was supplanted by modernism, a genre in which writers experimented with innovations in form and content. In the last decade, the movement is again attracting spirited scholarly debate. The Oxford Handbook of American Literary Naturalism takes stock of the best new research in the field through collecting twenty-eight original essays drawing upon recent scholarship in literary and cultural studies. The contributors offer an authoritative and in-depth reassessment of writers from Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London to Kate Chopin, Edith Wharton, Ernest Hemingway, Richard Wright, John Steinbeck, Joyce Carol Oates, and Cormac McCarthy. One set of essays focus on the genre itself, exploring the historical contexts that gave birth to it, the problem of definition, its interconnections with other genres, the scientific and philosophical ideas that motivate naturalist authors, and the continuing presence of naturalism in twenty-first century fiction. Others examine the tensions within the genre-the role of women and African-American writers, depictions of sexuality, the problem of race, and the critique of commodity culture and class. A final set of essays looks beyond the works to consider the role of the marketplace in the development of naturalism, the popular and critical response to the works, and the influence of naturalism in the other arts.

In this varied collection of essays, Walter Brueggemann provides a lens into biblical teachings concerning the present age of fake news, lies, and alternate realities. Compiled and edited by Louis Stulman, professor of religion at the University of Findlay, these essays carry a common theme of truth and hope. As Brueggemann writes in the preface, there is no doubt that the prophetic tradition regularly engages in truth-telling in order to expose social reality as a systemic act of falseness that contradicts the purposes of God. The prophetic tradition of Jeremiah, for instance, is preoccupied with truth-telling that exposes falseness. The prophet exposes the deceit of dominant culture. That same prophetic tradition (like many others) turns eventually to the work of hope-telling. Such hope does not doubt that the faithful God can create futures, a way out of no way. The sequence from truth to hope in the book of Jeremiah is characteristic of the prophetic books of the Old Testament. These several prophetic voices (that gave canonical shape to the prophetic books) knew that this sequence is definingly important. There can be no hope until truth is told. Our temptation, of course, is to do the work of hope without the prior work of truth. Readers will find this collection of essays to be theologically rooted in the concept of prophetic tradition as a means of truth-telling. Brueggemann explores that, without God, truth-telling is nothing more than harping, and hope-telling is only wishful thinking.

The final volume in the acclaimed Foundations of Contemporary Interpretation series, this book deals with these crucial questions: Is the Bible a history book? What do we mean by 'history' anyway? In what sense is biblical historicity important for faith? Why is there so much scholarly disagreement over historical issues relating to the Bible?