A tribute to legions of unsung children's illustrators.

SA in a day! That's what you'll find inside this latest Postcards collection - a guide to what South Australia has to offer all within an easy day's drive from Adelaide.

Hi Everyone! Crabby Spit is COOL! I've been crabspotting, riding my bike, surfing and swimming, and looking at stars. With a bit of luck, I'll be having fish and chips for dinner. The only problem is my things keep disappearing! Can you help me find them? Roland Harvey It's summer and time to head to Crabby Spit! 'Don't forget to write!' says Grandma. The postcards come thick and fast, detailing all the timeless pleasures of playing on the beach, paddling, surfing, finding treasures, dancing to the glow of a bonfire. But look out for the clever family dog who collects all the belongings of the absent-minded artist! Short-listed for the 2005 CBCA Awards, this popular picture book is now available in paperback.

Catriona Lydgate is a housewife with two children and an adoring husband. But beneath the surface of her seemingly perfect life are the dark secrets of the past she's tried to forget. Disturbing postcards begin arriving in the mail; she is recognized by a man who knew her from her past -- an avalanche of small moments that will threaten everything she thought was real. When her youngest daughter falls ill with a mysterious illness, the doctors and even her husband suspect that she is deliberately making her child sick. As her marriage unravels, she comes dangerously close to the edge -- and to losing everything that she loves -- as the past she has fought so hard to bury becomes her witness and prosecutor. This is a haunting, heartbreaking novel: domestic fiction at its very finest.

Postcards, individually and collectively, contain a great deal of information that can be of real value to students and researchers. Postcards in the Library gives compelling reasons why libraries should take a far more active and serious interest in establishing and maintaining postcard collections and in encouraging the use of these collections. It explains the nature and accessibility of existing postcard collections; techniques for acquiring, arranging, preserving, and handling collections; and ways to make researchers and patrons aware of these collections. Postcards in the Library asserts that, in most cases, existing postcard collections are a vastly underutilized scholarly resource. Editor Norman D. Stevens urges librarians to help change this since postcards, as items for mass consumption and often with no apparent conscious literary or social purpose, are a true reflection of the society in which they were produced. Stevens claims that messages written on postcards may also reveal a great deal about individual and/or societal attitudes and ideas. Chapters in Postcards in the Library are written by librarians who manage postcard collections, postcard collectors, and researchers. Some of the authors have undertaken major research projects that demonstrate the ways in which postcards can be used in research, and that have begun to establish a standard methodology for the analysis of postcards. They write about: major postcard collections, including the Institute of Deltiology and the Curt Teich Postcard Archives the use of postcards for scholarly research postcard conservation and preservation, arrangement and organization, and importance and value Postcards in the Library describes the postcard collections in a variety of libraries of different kinds and sizes and indicates very real ways in which the effective use of postcard collections can result in and contribute to substantive, scholarly publications. It also offers advice and suggestions on the myriad issues that libraries face in handling these ephemeral fragments of popular culture. Special collections librarians, postcard collectors, postcard dealers, and historical societies will find the information in Postcards in the Library refreshing and practical. Libraries with established postcard collections or those thinking about developing postcard collections will use it as a valuable planning tool and start-to-finish guide.

Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability – prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.