Newly married, Chris and Susanna Naylor set off for a new life in the Arab world - living first in Kuwait, then Jordan and finally Lebanon. In a region never far from the news, they discovered their expectations - of war, terrorism, desert sand dunes, men in white robes and veiled women, camels and Kalashnikovs, indeed their own reasons for being there - were to be constantly challenged. As they found out, the reality bore little resemblance to their pre-conceptions. Postcards from the Middle East is a tale of love from one family's experiences: a story of work, schooling, friendships, worship and shared family life, lived out in precious communities against a back drop of world-changing events and spectacular scenery. The Naylors had never experienced such hospitality, danger, wildlife spectacles or snow before they moved to the Middle East. Their story provides a multi-coloured window on an extraordinary and rapidly changing Arab world.

Searing images of suicide bombings and retaliatory strikes now define the Israeli-Palestinian conflict for many Westerners, but television and print media are not the only visual realms in which the conflict is playing out. Even tourist postcards and greeting cards have been pressed into service as vehicles through which Israelis and Palestinians present competing visions of national selfhood and conflicting claims to their common homeland. In this book, Tim Jon Semmerling explores how Israelis and Palestinians have recently used postcards and greeting cards to present images of the national self, to build national awareness and reinforce nationalist ideologies, and to gain international acceptance. He discusses and displays the works of numerous postcard/greeting card manufacturers, artists, and photographers and identifies the symbolic choices in their postcards, how the choices are arranged into messages, what the messages convey and to whom, and who benefits and loses in these presentations of national self. Semmerling convincingly demonstrates that, far from being ephemeral, Israeli and Palestinian postcards constitute an important arena of struggle over visual signs and the power to produce reality.

Elyria was settled on the Black River near two 40-foot waterfalls, which aided milling operations and encouraged industry. Its proximity to Lake Erie further promoted travel and trade. Elyria in Vintage Postcards picks up Elyria's history 90 years after her founding in 1817, when postcards were all the rage. This fashionable mode of communication resulted in the preservation of these images of historic Elyria. This book will take you on a tour of the town through vintage postcards. Visit Elyria's now-defunct movie theaters and hotels during their prime. View Black River bridges, old mills, and an early hydroelectric plant. Discover buildings that were destroyed by fire, bridges destroyed by flood, train wrecks, and devastating snowstorms. And take a rare peek inside Elyria's early businesses, schools, and churches.

Santa Monica was founded in 1875 and by 1887, the area was caught up in the real estate frenzy of the time with advertisements suggesting that it had "one of the grandest panoramic views the human eye has ever rested on . . . " In over 200 vintage postcards, here is Santa Monica in all its coastal splendor, including views of the bathing beaches, the Roosevelt Highway, and private citizens' beautiful Chinese Gardens.