Susie Keef Smith was seeking escape from a troubled home life and the havoc of childhood polio when she took a job as postmaster in Mecca, on the edge of California's Salton Sea. She and her cousin Lula Mae Graves set out to photograph the last of the prospectors, burro packers and stage stops in the remote desert to the east. They traveled by burro, foot and Ford though sandy washes and roadless canyons, armed with a .38 revolver and a large format camera. While making postcards for the Post Office spinner rack, the women were remade in the wilderness and wound up creating an unparalleled portrait of one of the lesser-known deserts in the West. Susie Smith's photos were nearly lost to history when--upon her death--they were tossed out by a county estate administrator. A savvy archaeologist jumped into a dumpster and rescued many of the photos in this book. Postcards From Mecca presents portraits of a mysterious land along with the story of its heroic chroniclers, self-taught documentary photographers of the 1920s and '30s.

In Monsoon Postcards, journalist David H. Mould, notebook in hand, traverses the Indian Ocean—from Madagascar through India and Bangladesh to Indonesia. It’s an unpredictable journey on battered buses, bush taxis, auto-rickshaws, and crowded ferries. Mould travels from the traffic snarls of Delhi, Dhaka, and Jakarta to the rice paddies and ancestral tombs of Madagascar’s Central Highlands; from the ancient kingdom of Hyderabad to India’s so-called chicken neck—the ethnically diverse and underdeveloped northeast; and from the textile factories and rivers of Bangladesh to the beaches of Bali and the province of Aceh—ground zero for the 2004 tsunami. Along the way, in markets, shops, roadside cafes, and classrooms, he meets journalists, professors, students, aid workers, cab drivers, and other everyday residents to learn how they view their past and future. Much like its predecessor, Mould’s Postcards from Stanland, Monsoon Postcards offers witty and insightful glimpses into countries linked by history, trade, migration, religion, and a colonial legacy. It explores how they confront the challenges of climate change, urban growth, economic development, land, water and natural resources, and national and ethnic identity.

The 100 postcards in this set are a guided tour of New York, old and new. Readers will visit a lost New York--where magnificent hotels like the Astor pampered the rich and famous--and see the sights that continue to attract visitors today, from the Empire State Building to the beautiful Central Park. 100 postcards.

First published in 1984, this study examines closely the shifting attitudes towards, and theories concerning, imperialism, from the colonial wars of the late nineteenth century to America’s involvement in Vietnam. This lucid investigation encompasses the World Wars, the disintegration of the Colonies and the Cold War. It also gives fascinating insight into the theories of imperialism advocated by such diverse writers as Hobson, Wilshire, Angell, Brailsford, Luxemberg and Lenin. Throughout, the author objectively evaluates the theory that capitalism is a cause of aggression – a fundamental tenet of anti-imperialist writers. It is Norman Etherington’s contention that further investigations into the sources, causes and effects of imperialism can only take place if the various theories concerning it are analysed. A fascinating and detailed study, this reissue will be of particular value to students interested in the theories and history of imperialism.

On the trip of a lifetime, Adam and Zayneb must find their way back to each other in this surprising and romantic sequel to the “bighearted, wildly charming” (Becky Albertalli, New York Times bestselling author) Love from A to Z. Adam and Zayneb. Perfectly matched. Painfully apart. Adam is in Doha, Qatar, making a map of the Hijra, a historic migration from Mecca to Medina, and worried about where his next paycheck will come from. Zayneb is in Chicago, where school and extracurricular stresses are piling on top of a terrible frenemy situation, making her miserable. Then a marvel occurs: Adam and Zayneb get the chance to spend Thanksgiving week on the Umrah, a pilgrimage to Mecca and Medina, in Saudi Arabia. Adam is thrilled; it’s the reboot he needs and an opportunity to pray for a hijra in real life: to migrate to Zayneb in Chicago. Zayneb balks at the trip at first, having envisioned another kind of vacation, but then decides a spiritual reset is calling her name too. And they can’t wait to see each other—surely, this is just what they both need. But the trip is nothing like what they expect, from the appearance of Adam’s former love interest in their traveling group to the anxiety gripping Zayneb when she’s supposed to be “spiritual.” As one wedge after another drives them apart while they make their way through rites in the holy city, Adam and Zayneb start to wonder: was their meeting just an oddity after all? Or can their love transcend everything else like the greatest marvels of the world?

From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this golden age can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in Americas history. This fascinating history of Santa Barbara, California, showcases more than 200 of the best vintage postcards available.

The uneasy link between tourism and collective memory at Holocaust museums and memorials Each year, millions of people visit Holocaust memorials and museums, with the number of tourists steadily on the rise. What lies behind the phenomenon of "Holocaust tourism" and what role do its participants play in shaping how we remember and think about the Holocaust? In Postcards from Auschwitz, Daniel P. Reynolds argues that tourism to former concentration camps, ghettos, and other places associated with the Nazi genocide of European Jewry has become an increasingly vital component in the evolving collective remembrance of the Holocaust. Responding to the tendency to dismiss tourism as commercial, superficial, or voyeuristic, Reynolds insists that we take a closer look at a phenomenon that has global reach, takes many forms, and serves many interests. The book focuses on some of the most prominent sites of mass murder in Europe, and then expands outward to more recent memorial museums. Reynolds provides a historically-informed account of the different forces that have shaped Holocaust tourism since 1945, including Cold War politics, the sudden emergence of the "memory boom" beginning in the 1980s, and the awareness that eyewitnesses to the Holocaust are passing away. Based on his on-site explorations, the contributions from researchers in Holocaust studies and tourism studies, and the observations of tourists themselves, this book reveals how tourism is an important part of efforts to understand and remember the Holocaust, an event that continues to challenge ideals about humanity and our capacity to learn from the past.