Three djinn warriors. One power-hungry sorceress. The battle for good and evil has taken a whole new turn… From New York Times Bestselling Author Elisabeth Naughton, the final story in a series about brotherhood, survival and unexpected love in a world filled with magic and betrayal. Even desire comes at a price… Imprisonment has taught Ashur, the youngest djinn prince enslaved by a power-hungry sorceress, one thing: life as a pleasure slave has its rewards…if you play by the rules. He’s been tortured. He’s nearly died protecting a tribe that’s forsaken him. But he’s also seen life on the other side as an obedient slave. For a shot at revenge against the brothers who abandoned him, he’s willing to serve his master, even if it means using passion to corrupt the souls she needs to fuel her immortality. His first assignment, however, turns out to be more than just a woman in need of a little pleasure. Claire is an angel, and angels have the ability to steal djinn powers. No amount of vengeance—not even a ravenous desire he can’t seem to control—is worth the loss of his powers. And there’s no way he’s tangling with a celestial being. Unless, of course, she tangles with him first…

Whitman has long been more than a celebrated American author. He has become a kind of hero, whose poetry vindicates beliefs not only about poetry but also about sexuality and power. In Whitman Possessed: Poetry, Sexuality, and Popular Authority, Mark Maslan presents a challenging theory of Whitman's poetics of possession and his understandings of individual and national identity. By reading his works in relation to nineteenth-century theories of sexual desire, poetic inspiration, and political representation, Maslan argues that the disintegration of individuality in Whitman's texts is not meant to undermine cultural hierarchies, but to make poetic and political authority newly viable. In particular, Maslan explores the social impact of nineteenth-century sexual hygiene literature on Whitman's works. He argues that Whitman developed his ideas about poetry, sexuality, and authority by responding to a prominent argument that desire subjected male bodies to a penetrating and feminizing force. By identifying poetic inspiration with this erotic dynamic, Whitman imbued his poetic voice with a kind of transformative power. Whitman aligned his poetry with an impartial authority hard to find elsewhere and inclined his work as a poet to speak for the voiceless, for the masses, and for an entire nation.

Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely, and unpretentiously, full of an infectious love for literature.

Ownership is on most people's lips these days, or at least the lack of ownership. Everywhere people seem to be fighting over what is theirs. They want to take back their property, their lands, their liberty, their bodies, their identity, and their right to do what they want. These demands arequite remarkable when you consider that ownership is not an observable property but rather an abstract concept. And yet this abstract concept controls just about everything we do, and rarely do we stop to consider how it rules our lives. Ownership even explains the anger and political turmoil thatis currently sweeping over Western democracies: people feel they have had something taken away, something they used to own in the past and want back.Possessed is the first accessible book to consider the psychological origins and future of ownership in a rapidly changing world. It reveals how we are compelled to accumulate possessions in a relentless drive to seek status and approval by signalling our values to others by what we own. It tracesthe history of ownership but looks to the future as our drive to own will need to adapt to environmental and technological change.

"Girard fuses literary, psychological, and anthropological texts in order to view the activity of mimesis. This includes the phenomena of scapegoating, victimage, and sacrifice. They, in turn, serve as starting points for a breathtakingly daring and encompassing theory of the origins of human culture. In an era of interdisciplinary studies, this volume stands alone."--"Choice."

Caught between a younger man that doesn't promise anything, her older former lover, and her senile mother, Josephine travels to a haunted quarantine island, where she meets an enigmatic, beatiful man with a haunting story.