Exploring diverse human experiences in the US, Poland and Northern Ireland, this book is of interest to practitioners and students of applied theatre, peace and conflict studies, professionals working in conflict resolution, counselors, psychotherapists, professionals in the field of criminal and restorative justice, and spiritual seekers.

"Entertaining and thought-provoking, Burke blends vignettes from his time on the beat with deeply considered ideas on policing." —Newsweek For more than 30 years, involving more than 1,000 cases, Doyle Burke has been a death investigator, first with the Dayton, Ohio police department, then with a county coroner’s office. In this book, he shares his tricks of the trade: how detectives solve cases, what they look for, the importance of forensic science, and the irreplaceable value of instinct. Along the way, Burke offers humorous trial anecdotes, thoughts on race and policing, stories about the fatal toll stress took on fellow officers, and, perhaps most movingly, details about the three fatal shootings of police officers – one of them one of his first friends on the department, another the son of his sergeant – that he had to investigate. Part memoir, part police procedural, and part true crime anthology, Death as a Living reveals the inside world of homicide and death investigation―the triumph, tragedy, humor, and truly bizarre situations one finds when working that beat.

This is the first musicological study entirely devoted to a comprehensive analysis of musical Holocaust representations in the Western art music tradition. Through a series of chronological case studies grounded in primary source analysis, Amy Lynn Wlodarski analyses the compositional processes and conceptual frameworks that provide key pieces with their unique representational structures and critical receptions. The study examines works composed in a variety of musical languages - from Arnold Schoenberg's dodecaphonic A Survivor from Warsaw to Steve Reich's minimalist Different Trains - and situates them within interdisciplinary discussions about the aesthetics and ethics of artistic witness. At the heart of this book are important questions about how music interacts with language and history; memory and trauma; and politics and mourning. Wlodarski's detailed musical and cultural analyses provide new models for the assessment of the genre, illustrating the benefits and consequences of musical Holocaust representation in the second half of the twentieth century.

After government agent Daniel Lansbury fakes the executions of three religious believers on national television, he and the fugitives Alisa Kent, Ian Roshek, and Ian's sister, Jill face the perilous task of outwitting President Amanda Ryce and her power-hungry Council long enough to escape to freedom. Meanwhile, Daniel's estranged father, Marcus, an underground terrorist leader, is hatching plans to sabotage the breakable trust between Daniel and Ian, put himself in power at the head of the nation, and endanger any hope of bringing to light the wrongs committed against the citizens of a fragile, fledgling nation.

This book examines the historic tensions between Jehovah’s Witnesses and government authorities, civic organisations, established churches and the broader public. Witnesses originated in the 1870s as small, loose-knit groups calling themselves Bible Students. Today, there are some eight million Witnesses worldwide, all actively engaged in evangelism under the direction of the Watch Tower Society. The author analyses issues that have brought them global visibility and even notoriety, including political neutrality, public ministry, blood transfusion, and anti-ecumenism. It also explores anti-Witness discourse, from media portrayals of the community as marginal and exotic to the anti-cult movement. Focusing on varied historical, ideological and national contexts, the book argues that Witnesses have had a defining influence on conceptions of religious tolerance in the modern world.