During the period of Aztec expansion and empire (ca. 1325–1525), scribes of high social standing used a pictographic writing system to paint hundreds of manuscripts detailing myriad aspects of life, including historical, calendric, and religious information. Following the Spanish conquest, native and mestizo tlacuiloque (artist-scribes) of the sixteenth century continued to use pre-Hispanic pictorial writing systems to record information about native culture. Three of these manuscripts—Codex Boturini, Codex Azcatitlan, and Codex Aubin—document the origin and migration of the Mexica people, one of several indigenous groups often collectively referred to as “Aztec.” In Portraying the Aztec Past, Angela Herren Rajagopalan offers a thorough study of these closely linked manuscripts, articulating their narrative and formal connections and examining differences in format, style, and communicative strategies. Through analyses that focus on the materials, stylistic traits, facture, and narrative qualities of the codices, she places these annals in their historical and social contexts. Her work adds to our understanding of the production and function of these manuscripts and explores how Mexica identity is presented and framed after the conquest.

During the period of Aztec expansion and empire (ca. 1325–1525), scribes of high social standing used a pictographic writing system to paint hundreds of manuscripts detailing myriad aspects of life, including historical, calendric, and religious information. Following the Spanish conquest, native and mestizo tlacuiloque (artist-scribes) of the sixteenth century continued to use pre-Hispanic pictorial writing systems to record information about native culture. Three of these manuscripts—Codex Boturini, Codex Azcatitlan, and Codex Aubin—document the origin and migration of the Mexica people, one of several indigenous groups often collectively referred to as “Aztec.” In Portraying the Aztec Past, Angela Herren Rajagopalan offers a thorough study of these closely linked manuscripts, articulating their narrative and formal connections and examining differences in format, style, and communicative strategies. Through analyses that focus on the materials, stylistic traits, facture, and narrative qualities of the codices, she places these annals in their historical and social contexts. Her work adds to our understanding of the production and function of these manuscripts and explores how Mexica identity is presented and framed after the conquest.

The Aztec Empire did not recoil from the face of an impending doom, they struggled faithfully. Destined to emerge from their humble beginnings, it grew into a highly-complex devoted civilization refusing to live at the mercy of more neighboring powerful rulers. Their powerful pocheca combed the valley for luxury items while markets dotted their lands. Inside you will find... ✓ Introduction ✓ How the Aztecs Are Portrayed and How Their History Survives ✓ Defining Moments and their Search to Expand and Save the World ✓ Their Philosophy: its Impact on Social Life and How it Served the Kings ✓ Conclusion Isolated from the Old World until the devastating Spanish conquest, the Aztec mācēhualtin (commoners) and nobles enhanced their positions while kings and relentless warriors dealt with the political realities of powerful dynasties and rivaling kingdoms. They developed a philosophy, an order and a society built on loyalty, stoic honor and sacrifice as they embraced the temporary nature of things. Investigate the era of the Fifth Sun and what defined the Aztecs and their relationship with the divine.

Trail of Footprints offers an intimate glimpse into the commission, circulation, and use of indigenous maps from colonial Mexico. A collection of sixty largely unpublished maps from the late sixteenth to the eighteenth centuries and made in the southern region of Oaxaca anchors an analysis of the way ethnically diverse societies produced knowledge in colonial settings. Mapmaking, proposes Hidalgo, formed part of an epistemological shift tied to the negotiation of land and natural resources between the region’s Spanish, Indian, and mixed-race communities. The craft of making maps drew from social memory, indigenous and European conceptions of space and ritual, and Spanish legal practices designed to adjust spatial boundaries in the New World. Indigenous mapmaking brought together a distinct coalition of social actors—Indian leaders, native towns, notaries, surveyors, judges, artisans, merchants, muleteers, collectors, and painters—who participated in the critical observation of the region’s geographic features. Demand for maps reconfigured technologies associated with the making of colorants, adhesives, and paper that drew from Indian botany and experimentation, trans-Atlantic commerce, and Iberian notarial culture. The maps in this study reflect a regional perspective associated with Oaxaca’s decentralized organization, its strategic position amidst a network of important trade routes that linked central Mexico to Central America, and the ruggedness and diversity of its physical landscape.

Aztecs is filled with colourful artwork and reproductions of original paintings, photographs of artefacts and locations, maps and plans.Text is presented in manageable sections with clear headings, allowing children to access the information easily and increase their historical understanding. Covers: âe¢ Cortes follows the cross âe¢ Food and drink âe¢ Aztec books âe¢ Tenochtitlan âe¢ Fine houses âe¢ Village homes âe¢ Healing and illness âe¢ New crops, new ideas

Students are taught that the Aztecs were destroyed by Hernán Cortéz, the conqueror of Mexico. However, there is much to learn about who the Aztec people were before they were conquered. The native Mexicans were part of a rich and vibrant culture that spanned hundreds of years. To understand this complicated society, readers are provided with an engaging main text and colorful photographs and historical images. Informative sidebars throughout detail the long history, and sudden defeat, of the Aztec Empire.

Winner of the American Society for Ethnohistory's Erminie Wheeler-Voegelin Prize Scholars have long viewed histories of the Aztecs either as flawed chronologies plagued by internal inconsistencies and intersource discrepancies or as legends that indiscriminately mingle reality with the supernatural. But this new work draws fresh conclusions from these documents, proposing that Aztec dynastic history was recast by its sixteenth-century recorders not merely to glorify ancestors but to make sense out of the trauma of conquest and colonialism. The Aztec Kings is the first major study to take into account the Aztec cyclical conception of time—which required that history constantly be reinterpreted to achieve continuity between past and present—and to treat indigenous historical traditions as symbolic statements in narrative form. Susan Gillespie focuses on the dynastic history of the Mexica of Tenochtitlan, whose stories reveal how the Aztecs used "history" to construct, elaborate, and reify ideas about the nature of rulership and the cyclical nature of the cosmos, and how they projected the Spanish conquest deep into the Aztec past in order to make history accommodate that event. By demonstrating that most of Aztec history is nonliteral, she sheds new light on Aztec culture and on the function of history in society. By relating the cyclical structure of Aztec dynastic history to similar traditions of African and Polynesian peoples, she introduces a broader perspective on the function of history in society and on how and why history must change.