The Manuela Dias book design and Illustration Awards - General illustrations category Alexander Kennedy Ishister Award for Non-Fiction Eileen McTavish Sykes Award for Best First Book McNally Robinson Book of the Year Award This is a truly unique book. It offers an incomparable glimpse into the experiences and history of more than one hundred First Nations and Métis elders from Canada's North —“the last generation born on the land.” These stunning graphite pencil portraits are rendered with love, respect, and painstaking detail, along with gripping intimate profiles assembled from oral accounts and anecdotes. Their poignant facial features, lines, and creases, weathered by the harsh outdoors and a lifetime of challenges, are like badges of their remarkable achievements, sustained resolve, inspired patience, and deep-set defiance to the hardships their people have endured for generations. The masterful realism of Kuehl’s work helps uncover the tales of these seasoned individuals—their many triumphs and trials—revealing in turn a greater portrait of life in the communities of Northern Canada, a compelling homage, and an enduring historical legacy.

“Thank you Andrew and Ann Goldman for the persistence that it took to achieve the portraits in Facing North. It is a historic document for Ely, Minnesota that has worldwide interest as a snapshot of a unique northern community. You so accurately captured my friends and neighbors and I will always cherish this book.” —Will Steger “My work as a photojournalist has involved assignments about people and faraway cultures as often as about raw nature. Alas, I always felt there were more stories per square foot in Ely as anywhere else I have been. Look into these Ely faces Goldman has captured with his razor-sharp lens and read the stories in their eyes.” —Jim Brandenburg, from the Foreword Perched on the edge of the northern woods at the gateway to the Boundary Waters Canoe Area Wilderness, Ely, Minnesota, holds special meaning for hundreds of thousands of visitors each year. But what is it like for the people who live there year-round? Ann and Andrew Goldman offer a revealing portrayal of the unique people who call Ely home. Featuring more than one hundred portraits as well as vivid essays, Facing North tells the story of life in this Northwoods community: its breathtaking beauty, surprisingly diverse character, and complex history. A thriving destination area, Ely is a changing community, yet its traditions remain vibrant and strong. From resort owners and fishermen to canoe makers and artists, Facing North is an evocative tribute to the enduring nature of Ely and its people. This project is made possible in part by a grant from the Donald G. Gardner Humanities Trust. Andrew Goldman is a freelance commercial photographer. His clients include ESPN and Playboy Enterprises, and his photographs have appeared on more than forty magazine covers. Ann Goldman is a freelance writer and presenter whose professional background is in museum and nonprofit management. They live in Boulder, Colorado, with their two sons. The work of award-winning nature photographer Jim Brandenburg has been featured in National Geographic magazine since 1978. His many books include Chased by the Light and Looking for the Summer. He lives near Ely, Minnesota, where his work can be seen at Brandenburg Gallery.

Early 1900's photography of North American Indians.

Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.

Easy techniques for true-to-life portraits! If you think all portrait-painting books are the same, think again. This book will inspire you to approach your canvas with renewed (or newly discovered) enthusiasm and confidence. Using modern-day techniques, Luana Luconi Winner shows you how to capture not only a physical likeness, but also the personality and unique, natural expression of your subject. Her direct, relaxed teaching style takes the intimidation out of painting portraits, empowering artists of any skill level and medium to turn ordinary people into exceptional works of art. • Time-tested, easy-to-follow techniques for achieving accurate facial shapes and proportions. • 10 quick-reference color charts make it easy to mix skin tones and hair colors for a full range of complexions and ethnicities. • Mini-demonstrations show how to use a variety of mediums--graphite, charcoal, pastels, watercolor and oils--to create sketches and preliminary studies. • Tips on using a digital camera to generate reference material and troubleshoot your compositions. • Three start-to-finish painting demonstrations in oils and pastels illustrate the particulars of painting males and females, adults and children. Destined to become a classic in its own right, Painting Classic Portraits covers every step in the process--from selecting clothes, backgrounds and props that tell a story, to using design elements to stir emotion in your viewers. It's everything you need to know to create timeless portraits and great paintings.

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.

In George Orwell?s 1984, an 'unperson' is someone who has been vaporized, whose record has been erased. Similarly, the North Korean defectors that Tim Franco chose to portray have decided to disappear, fleeing sometimes for ideological reasons and often out of despair. The road to South Korea is dangerous and can take years, across the many different borders with Mongolia, Laos, Thailand and China. The travels of the ones that do are filled with the fear of being arrested and sent back to labour camps. Having arrived in South Korea, they often struggle to find a new identity, lost between their North Korean past and South Korean future. 00Here, Tim Franco presents the stories of fifteen such 'unpersons'. Each portrait goes side by side with the story of how and why the subjects came to their radical decision to flee. In order to retrace their steps, Franco travelled to their crossing points, capturing the diversity of landscape that is the background of North Korean defection.