A Bible study of five women of the Old Testament - Eve, Sarah, Rebekah, Miriam, and Hannah.

In an effort to challenge the perception of what cancer looks like, 59 well-known photographers have donated their time to take pictures of women bald from chemotherapy and share their stories.

INSTANT NEW YORK TIMES BESTSELLER An Edgar Award Nominee for Best First Novel Longlisted for the Center for Fiction's First Novel Prize Named a New York Times Best Crime Novel of 2022 Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News* *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more! "The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning." —New York Times Book Review Ocean's Eleven meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. Will Chen plans to steal them back. A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. His crew is every heist archetype one can imag­ine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted at­tempt to take back what colonialism has stolen. Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary cri­tique of the lingering effects of colonialism.

Grace Kelly--whose cool, blond beauty defined the aloof sexiness of the classic Hitchcock heroine--left a lasting impression on Hollywood and the world. Although her career was brief, she lit up the screen in films like High Society, Rear Window, and The Country Girl, for which she won an Oscar. She was not only a fine actress, great beauty, and icon of American style, but she was also a passionate philanthropist, known for her generosity and kindness. This ambitious photographic biography with 160 images shows it all--capturing the early years, film career, royal marriage, and private life of this remarkable woman. Handwritten documents and famous quotes on and from Grace Kelly complement this impressive iconographic research.

Photographs of the candidates in the 1988 presidential campaign with essays by ABC correspondents Sam Donaldson and Jim Wooten and Jane Livingston, chief curator of the Corcoran Gallery in Washington.

Through Christ's death, believers have been credited with Christ's righteousness in the courtroom of heaven and have a new identity. Yet as long as we tread planet earth we are all bound by some level of sin - none of us in this life can fully escape our fallen nature inherited from Adam which dwells in our unredeemed "flesh." Although we will not be fully released from the presence of sin until Jesus returns, we do not have to remain incarcerated by sin. Paul reassures believers that in fact we can have progressive deliverance from the power of sin to live out our new identity in Christ on earth. "Portraits of Righteousness" draws from the Apostle Paul's writings in Romans 5-8 of the Bible to elucidate this life-changing opportunity.