This is a print on demand book and is therefore non- returnable. Recognizing that many North Americans regard natural science and biblical teaching as at odds with each other, the authors (respected scientists who are also committed Christians) examine both the historical roots and the present manifestations of the science-versus- Bible tension, critique several of the misperceptions that encourage an adversarial approach, and offer reliable principles that the evangelical Christian community can use in determining what the Bible and science actually tell us about the physical universe and its formation.

What is God like? Answering this is the great quest of human existence. Because God is so different from us, we struggle to describe him. While doctrinal statements about God certainly have their place in Christian understanding, the Bible more often uses God's actions and roles to help us know him better. Indeed, some of the most helpful insights in Scripture arise when God is compared to something else: a rock, an eagle or a tower. And many "human" metaphors--metaphors taken from the world of actions and relationships--bring us even closer to understanding of God. In Portraits of God, Allan Coppedge suggests we look carefully at God as our Father, Redeemer, King, Judge, Priest and Creator. These portraits taken together give us an understaning of the Holy One for which no single category is adequate. These images work their way through the whole of Scripture. They are the doorway allowing us into the mysteries of God's very being. In Portraits of God, Coppedge offers a comprehensive survey, picturing a God who wants to be known personally and who has profoundly communicated himself. Coppedge finds the inexhaustible nature of God to be one of holiness reflected in and best described by the language of diverse roles. Approaching God in this way transforms us, as churches and individuals, to reflect God's own holy character. This is a book for students, pastors and churchgoers alike. Anyone desiring to know more deeply and wholly the Christian God revealed in the Bible will find in Portraits of God a treasure of scholarship and truth.

Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.

`A boundary-breaking book, mobilizing art for philosophical purposes with exciting and enlightening results.' Ivan Gaskell, Harvard University --

Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ.

"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."

Study of the work of the Australian artist