A moving, recognizable look at life on lockdown and the effect the coronavirus pandemic had across the world—because every city had a story to tell, and at the end of it all, we were all in it together. In the past year, hospitals filled, highways and subways emptied, landmarks and parks were deserted, our healthcare workers became increasingly fatigued and frustrated, and nearly all human activity paused. In photographs, The Great Wall and The Colosseum look photoshopped, with no tourists in sight. This book is unique in that it creates a visual narrative to document that emptiness as a way to reflect and to find solace amid the shock. A year later, it's something we've all seen and can relate to. This is a stunning collection of the abandoned and austere sights of fifteen major cities throughout the world during the peak outbreak of COVID-19. With their fine art backgrounds and through their network of professional photographers, Julie and Jeffrey Loria worked together to capture the unprecedented lockdown conditions worldwide. The photos show a range of emotions from the physical and psychological weight of caskets being carried to a Rio cemetery, to the completely empty and eerie Times Square and Rodeo Drive, to the patriotic pride in Rome's t-shirt display honoring their Italian flag colors as a symbol of hope. The photographs are not only a reminder of the harrowing pandemic that hushed some of the world’s greatest urban streets, but also proof that across the globe, we were all in this together. Beneath the somberness in these images, there is a hint of beauty amid the stillness, but most of all, there is the presence of hope and promise that we will thrive again. Cities featured include: New York Jerusalem Boston Tokyo Paris Los Angeles Rome Rio de Janeiro San Francisco Washington, DC London Miami Tel Aviv Madrid Chicago

Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout

Participate! Portraits of Cities and Citizens in Action' offers an introduction to the complex world of urban development, identity and participation. It explains how the self-understanding of cities is mirrored in their approach to urban development. The basis of the book is formed by portraits of six European cities: Berlin, Hamburg, Paris, Lyon, Amsterdam and Groningen.00The book fills a gap as it provides general introductions to cities, a brief outline of the city?s planning system, a short historic introduction to the city?s planning culture. With telling and outstanding examples of citizen participation this book offers important insights in both the intrinsic logic of the cities and the mechanisms ? sometimes more inclusive, sometimes more exclusive- of participation.00'Participate!' Is one of the results of the R-link project, a unique cooperation of Dutch policy makers and scholars on participation and urban development. Of interest for urban planners, architects, city journalists and students and academics in the field of urban planning.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

Seattle 100: Portrait of a City is the culmination of a two-year personal project by renowned photographer, filmmaker, and social artist Chase Jarvis. Both a creative project and an insightful ethnography, Seattle 100 shares—via more than 300 stunning black-and-white portraits and biographies of each subject—a curated collection of leading artists, musicians, writers, scientists, restaurateurs, DJs, developers, activists, entrepreneurs, filmmakers, and more, all of whom are defining and driving culture in Seattle. Some faces you will know, other names you may have heard in passing, and others will have been unknown to you until now. With this book, Jarvis has created a snapshot of a city’s culture through its people. And it’s inclusive. Descriptive rather than prescriptive. It’s a 100, not an exclusive the 100, and it invites each of us to survey our own surroundings, our lives, our friends—and those not yet our friends—that make up the place we live, whether that’s Seattle or anywhere else. Individually, the images and words here introduce you to 100 engaging and important people. Collectively, this portrait of a city tells a fascinating, interwoven story about a unique and vibrant place. Beyond the photos and commentary by Jarvis, there are pithy musings by a select handful of subjects on the topics of art, food, community, region, culture, and film. In addition, many of the subjects share their favorite things, places, and doings in and around the Seattle that they have explored, discovered, and rediscovered time and again. Chase Jarvis is donating 100% of his artist proceeds from this book to the amazing arts and culture organization www.4culture.org.

When the Spaniards settled in Latin America, they immediately surrounded themselves with cities. Equating civilization with urban existence, the early conquerors of the New World rapidly established themselves as urban lords. Latin American cities then became synonymous with Spanish power and all of its privileged attributes: political authority, ecclesiastical activity, commerce, finance, and conspicuous consumption. This volume represents some of the most enduring reflections on the Latin American city. All of the essays were written by public officials, journalists, and social commentators, among others, who participated actively in the affairs of the cities they so perceptively describe. The collection offers critical analyses spanning hundreds of years, beginning with the era of the conquistadores in Tenochtitl_n and continuing to the deafening bustle of today's urban crowds in Mexico City. Professors Gilbert Joseph and Mark Szuchman offer translations of classic pieces by writers previously little known to Western audiences: Cobo, Garc_a, Santos Vilhena, and Leite de Barros.