A haunting and page-turning classic from an award-winning author. It’s as if the wooden chest is luring me, urging me to open it – daring me almost. Open me up. Look inside. Come on, just for a second; it won’t hurt. Celina O’Malley was sixteen years old when she disappeared. Now, almost forty years later, Bayley is living in Celina’s old house, sleeping in the same room, wearing her clothes and, most strangely, hearing her voice. What does Celina want with Bayley. But Bailey has her own problems, she’s dealing with her father’s death, the move to a new town and her family falling to pieces around her. Bayley needs to solve the mystery of Celina before it’s all too late. A ghost story. A love story. A story of revenge.

A haunting and page-turning classic from an award-winning author. It's as if the wooden chest is luring me, urging me to open it - daring me almost. Open me up. Look inside. Come on, just for a second; it won't hurt. Celina O'Malley was sixteen years old when she disappeared. Now, almost forty years later, Bayley is living in Celina's old house, sleeping in the same room, wearing her clothes and, most strangely, hearing her voice. What does Celina want with Bayley? But Bailey has her own problems, she's dealing with her father's death, the move to a new town and her family falling to pieces around her. Bayley needs to solve the mystery of Celina before it's all too late. A ghost story. A love story. A story of revenge.

Mackenzie da Luca's mother is missing - she's vanished without a trace in the jungles of Panama. Now, 116 days later, Mackenzie and her dad are in those same jungles. Her dad is desperate to find out what's happened to his wife. And Mackenzie is desperate to make sure he doesn't ...

What secrets reside in the Clandestine house? Rumours have run wild for a century in the mouths of all the locals. It is known as the haunted house that swallows people whole. It isn't until an out of town buyer Hannah Watts purchases Clandestine house that the the dark past of the time capsule home will come to light. What happened to the Clandestine family? What is going to happen to Hannah?

During the 18th century, the arts of industry encompassed both liberal and mechanical realms--not simply the representation of work in the fine art of painting, but the skills involved in the processes of industry itself. Drawing on a wealth of primary sources, Celina Fox argues that mechanics and artisans used four principal means to describe and rationalize their work: drawing, model-making, societies, and publications. These four channels, which form the four central themes of this engrossing book, provided the basis for experimentation and invention, for explanation and classification, for validation and authorization, and for promotion and celebration, thus bringing them into the public domain and achieving progress as a true part of the Enlightenment.

Uses paintings, drawings, and prints to show high society, merchants, craftsmen, servants, traders, laborers, the poor, criminals, the young, the sick, and the aged

Poetry. Women's Studies. LANDIA excavates literal and figurative borderlands--redrawn boundaries, architectural palimpsests, underground transport systems--to reckon with the historical and cultural forces that shape our cities and our intimate lives. The book serves as a meditation on imagined and real and hoped-for migrations--of course, Su's own history permeates, but these poems also draw upon more than a decade of fieldwork, collaborative projects, and long-term relationships with specific immigrant communities and social justice organizations in southeast Asia, Latin America, and throughout the United States. Echoing tensions in social research, LANDIA is also a reflexive project, questioning documentation as intervention. "A map is not the territory, / but it becomes so over time." Fueled by fragmentation, the poems act as plaintive pleas to elude and resist the violent institutions that govern us, to trace the contours of new imaginaries and border crossings.