Margaret Atwood, Leonard Cohen, Ray Robertson, Bronwen Wallace—these are just a few authors whose unforgettable words have made them icons of Canadian literary expression. In Portraits of Canadian Writers, Bruce Meyer presents his own personal experience of these and many more seminal Canadian authors, sharing their portraits alongside amusing anecdotes that reveal personality, creativity, and humour. Meyer’s snapshots, both visual and textual, reveal far more than just physical appearance. He captures tantalizing glimpses into the creative lives of writers, from contextual information of place and time to more intangible details that reveal persona, personality and sources of imaginative inspiration. Through these portraits, Meyer has amassed a visual archive of CanLit that illustrates and celebrates an unparalleled generation of Canadian authorship.

City of Toronto Book Award finalist Scarborough is a low-income, culturally diverse neighborhood east of Toronto, the fourth largest city in North America; like many inner city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighborhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education. And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father's mental illness; Sylvie, Bing's best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father. Scarborough offers a raw yet empathetic glimpse into a troubled community that locates its dignity in unexpected places: a neighborhood that refuses to be undone. Catherine Hernandez is a queer theatre practitioner and writer who has lived in Scarborough off and on for most of her life. Her plays Singkil and Kilt Pins were published by Playwrights Canada Press, and her children's book M is for Mustache: A Pride ABC Book was published by Flamingo Rampant. She is the Artistic Director of Sulong Theatre for women of color.

A Canadian architectural and cultural marvel, Canada's Parliament Building, or Centre Block, has been the focal point of Canadian parliamentary democracy for much of the past century. As the Parliament Building, with its iconic gothic revival Peace Tower, approaches its 100th anniversary, it will be closed for a decade or more for much-needed renovations. Although an entire generation will miss the opportunity to see this building's wonders, A Portrait of Canada's Parliament provides a permanent written and illustrated record of it at this watershed moment. With spectacular photographs by William McElligott and inspiring thematic articles by established professional subject specialists, this volume collectively paints a portrait of one of Canada's greatest symbols from its origins into the present and on to the plans for its future. The Parliament Building, which contains both the Senate and the House of Commons, is unveiled from various angles: the astonishing history, the visionary architects, the lofty aspirations, the democratic functions housed within, the urban features, the picturesque landscape, the powerful architecture, the engineering ingenuity, the decorations' symbolic meanings, the harsher memories, the evolution echoing a growing nation, and the challenges, opportunities, and technological innovations for the most ambitious architectural renovation in Canada's history - a revitalized Parliament Building fit for the twenty-first century and beyond. This portrait provides, for the first time, an intimate analysis of the character and spirit of Canada's Parliament, and how the building's design, contents, and setting have performed their role so successfully for successive generations of Canadians.

Canadian Writers in 1984 is a special double length, hardback edition of the 100th issue of Canadian Literature. The book not only celebrates a publishing landmark in the history of the journal but also reflects the incredible richness of Canada's contemporary literary scene. The collection features the work of outstanding new writers as well as poems and essays written especially for this issue by Canada's most famous poets, novelists, dramatists, and essayists. Among the 29 essayists are Matt Cohen, Timothy Findley, Naim Kattan, Irving Layton, Dorothy Livesay, Eli Mandel, Jane Rule, Aritha Van Herk, and George Woodcock. The writings exhibit a diversity of styles and themes: Margaret Laurence on war and peace, Eric Nicol on commercial writing, Marian Engel on starting a new novel, James Reaney on regionalism, David Watmough on places, and David Helwig on arguing with God. The poets comprise a virtual "Who's Who" in Canadian poetry today: Margaret Atwood, Bill Bissett, Barry Dempster, Joy Kogawa, Dennis Lee, George McWhirter, Susan Musgrave, Michael Ondaatje, Al Purdy, Robin Skelton, Raymond Souster, and Tom Wayman are among over 60 of the poets represented. Prefaces to the book have been contributed by Governor General Edward Schreyer; Dr. George Pederson, President of the University of British Columbia; and Canada's grand man of letters, Mavor Moore.

The essential guide for freelance writers, now completely updated and revised. The Canadian Writer's Market is the authority on who publishes what and how best to bring your work to their attention. It offers practical advice on everything from manuscript preparation to copyright law, from information on pay rates to writers' workshops. This useful guide also includes comprehensive and up-to-date listings for: comsumer magazines; literary and scholarly journals; trade, business, and professional publications; daily newspapers; book publishers; literary agents; awards, competitions, and grants; writers' organizations and support agencies; writers' workshops, courses, and retreats.

The essays in Writing between the Lines explore the lives of twelve of Canada’s most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

Northrop Frye's Canadian Literary Criticism examines the impact of Frye's criticism on Canadian literary scholarship as well as the response of Frye's peers to his articulation of a 'Canadian' criticism.