From 18-26 September 1996, the Department of History of the University of Regina hosted a colloquium entitled, Symbols, Myths and Images of the French Revolution, in honour of James A. Leith (Queen's University), a leading historian of revolutionary France for over three decades who began his teaching career in Saskatchewan. The colloquium brought together an international panel of scholars to discuss the visual imagery, propaganda, and cultural dimensions of the French Revolution--a subject which, since Professor Leith began his career, has come to occupy an ever larger place in revolutionary historiography.

Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.

Women in 19th-century French art were represented as victims of a harsh urban working-class life. This book offers the argument that this representation obscured the model woman of ideas, a prominent figure in the narratives of French national and sexual politics.

[This book] gives readers [an] introduction to the French Revolution that is also grounded in the latest ... scholarship ... The book presents a succinct narrative of the Revolution.-Back cover. [In this book, the authors] follow a wide range of events, including the social and cultural events as well as the military and political ones. Women's history and gender relations ... have been integrated into the general story.-Pref.

The Encyclopedia of Historians and Historical Writing contains over 800 entries ranging from Lord Acton and Anna Comnena to Howard Zinn and from Herodotus to Simon Schama. Over 300 contributors from around the world have composed critical assessments of historians from the beginning of historical writing to the present day, including individuals from related disciplines like Jürgen Habermas and Clifford Geertz, whose theoretical contributions have informed historical debate. Additionally, the Encyclopedia includes some 200 essays treating the development of national, regional and topical historiographies, from the Ancient Near East to the history of sexuality. In addition to the Western tradition, it includes substantial assessments of African, Asian, and Latin American historians and debates on gender and subaltern studies.

The 'People's Armies' of eighteenth-century France were an instrument of the Reign of Terror. Civilian rather than military armies, they were created to obtain food and military equipment from the reluctant and frequently anti-revolutionary rural populace in order to supply the towns and the soldiers fighting on the frontiers. Composed of urban, highly politicized 'sans-culottes', they interacted with rural villages in a way that reflected the age-old conflict between town and country. This classic book by the famed historian Richard Cobb describes the clash between the swaggering, insubordinate 'sans-culottes' and the crafty villagers and in so doing, provides important insighyts into aspects of the social and administrative history of the French Revolution. 'The People's Armies' was first published in France in 1961 and has now been translated into English by Marianne Elliott. This book was Cobb's first major work and is still generally regarded as his most important contribution to French history.It illustrates all those characteristics that have come to be seen as typical of Cobb's distinctive historical style: the concern with local colour and variation, the vignettes that evoke in vivid detail all the hues of daily life at the time of the French Revolution, and, most of all, the sound basis of detailed and wide-ranging research.The book has had a profound influence on the study of the French Revolution and is still unsurpassed as a history of an important institution of the period of Revolutionary government in France. Richard Cobb was professor of modern European history at Oxford University.