Furnishes an overview of digital photography, covering such topics as cameras, exposure, lighting, shutter speed, depth of field, and resolution--and tips on how to avoid hours of photo-editing by taking great photographs the first time.

The stigmatization of mental illness in film has been well documented in literature. Little has been written, however, about the ability of movies to portray mental illness sympathetically and accurately. People Like Ourselves: Portrayals of Mental Illness in the Movies fills that void with a close look at mental illness in more than seventy American movies, beginning with classics such as The Snake Pit and Now, Voyager and including such contemporary successes as A Beautiful Mind and As Good as It Gets. Films by legendary directors Billy Wilder, William Wyler, Alfred Hitchcock, Stanley Kubrick, Oliver Stone, Martin Scorsese, Francis Ford Coppola, and John Cassavetes are included. Through the examination of universal themes relating to one's self and society, the denial of reality, the role of women, creativity, war, and violence, Zimmerman argues that these ground-breaking films defy stereotypes, presenting sympathetic portraits of people who are mentally ill, and advance the movie-going public's understanding of mental illness, while providing insight into its causes, diagnosis, and treatment. More importantly, they portray mentally ill people as ordinary people with conflicts and desires common to everyone. Like the motion pictures it revisits, this fascinating book offers insight, entertainment, and a sense of understanding.

“While Berenice Abbott, Margaret Bourke-White, and Alfred Steiglitz photographed New York's sleek skyscrapers, Arthur Fellig (called Weegee) documented the seamy underside of depression-era New York. In this extraordinary book, Richard Meyer and Anthony Lee tell a gripping tale, filled with historical detail about Weegee's transformation from freelance newspaper photographer to fine artist with the publication of his enormously successful book Naked City, in 1945.”—Cécile Whiting, author of Pop L.A.: Art and the City in the 1960s “Lee and Meyer return Weegee to his 'working world' by exploring the multiple contexts of his production-the Photo League, the tabloids, the exhibition galleries, and the book market. The volume adds an important dimension to our understanding of how Weegee straddled the worlds of popular culture, photojournalism, and left politics."—Miles Orvell, author of American Photography and John Vachon's America: Photographs and Letters from the Depression to World War II (UC Press) “Groundbreaking. Anthony Lee and Richard Meyer delve deeply into a rich archive of media and exhibition history, criticism, and biography to arrive at original interpretations of the most enigmatic photographer in modern visual and print culture.”—Jordana Mendelson, author of Documenting Spain: Artists, Exhibition Culture, and the Modern Nation, 1929-1939

Coming at a pivotal time in UK politics, Portrait of Britain, the British Journal of Photography's annual photography exhibition, is back for 2019 and Hoxton Mini Press will once again be producing the accompanying publication. The winning photographs from this open-call competition are selected by a panel of expert judges and will be displayed on digital billboard screens nationwide at the same time as the book's launch where they are seen by over 10 million people. These captivating portraits celebrate the diversity, culture and identity of Britain at a critical time in its history.

Supercharge your drawings with the power of photo reference! Almost every professional comic artist uses photo reference. Finding really good photo reference is crucial to capturing accurate lighting, foreshortening and body language in your drawings. Sure, you can surf the 'net or flip through catalogs to find a few poses . . . or consult generic photo reference books with static poses and flat lighting. But to draw a character consistently and convincingly over an entire issue or series, you need a serious reference library. In this book, you get over 1,100 awesome-quality, color photos—500+ in the book and 600+ on the CD-ROM—all created specifically for you, the professional or aspiring comic artist. Inside you'll find: Handsome, muscular men and gorgeous, fit women in dynamic poses Extreme angles, foreshortening and complex body mechanics Poses including jumping, kicking, punching, standing, ducking, lifting, flying, sitting, smoking, drinking, kissing, screaming, laughing, cowering, shooting, sword-fighting and more Superior lighting that creates dramatic, muscle-revealing shadows 7 fantastic art demos by professional comic artists Unless you have a team of superheroes willing to pose for you, Comic Artist's Photo Reference: People and Poses will be the most important tool in your photo reference library. Get started today drawing the pictures that will launch or advance your comic book career!

Painting isn't just for artists anymore.Photographers nowadays are interested in turning their digital photosinto paintings in Corel Painter and Adobe Photoshop.And now Painting for Photographers, published by Artistry Books, shows both the art lessons and software steps for transforming photos into works of art.Written and illustrated by Karen Sperling, one of the world's foremost Painter authorities, having penned the first several Painter manuals and three previous Painter books, Painting for Photographers is the first art book for photographers.It starts with a look at the art concepts that photographers need to know to paint their photos and describes the materials needed to create art, in this case, the software program tools and features.Next, Painting for Photographers provides step-by-step instructions and four-color illustrations for creating paintings in Corel Painter and Adobe Photoshop from popular photo subjects, including portraits, landscapes, pets and wildlife, covering various styles of art, including oils, watercolors and pastels. There's also a chapter on creating abstract art, Karen Sperling's specialty, having exhibited abstracts in New York art galleries.Additionally, Painting for Photographers shows how to paint with traditional acrylics and oils on top of the digital artwork after it's printed to canvas and includes a chapter by world-renowned artist and photographer Laurence Gartel about how to market the results.Painting for Photographers appeals to both professional photographers who would like to sell paintings to their clients and to hobbyists who are interested in painting photos of their kids and grandkids.